Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.
Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ’70s and used in countless records. The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.
Rmpx4 is a multi effect processor focused on modulations. Based around three classic effects (multimode filter, pitchshifter and delay), its aim is to generate evolving variations of the input audio by crossfading between two instances of each effect and modulating their key parameters using an extensive array of control modules. 4 LFOs with optional tempo sync and 2 envelope followers can have their output inverted or combined using mixers and multipliers. From subtle dub delays to mad glitch sequences, rmpx4 will help you generate complex variations of your original ideas.
BowEcho is a modular sound mangler based on 4 delay lines. It offers a large palette of sound design options thanks to 4 LFOs that can run at control or audio rate, 4 Mixers that can also act as gainers, basic filters, ringmodulators or stereo splitters, and the ability to route the output of each module the way you want. For example the LFOs can act as raw oscillators that can be used to ringmodulate the feedback path of a delay line. The delay times can be modulated over a wide range to generate noisy glitches or basic pitchshifting of the input. BowEcho is a versatile delay plugin that can adapt to your sonic needs : use it as a simple flanger with only one delay and one LFO, or go crazy and route all modules in absurd ways to produce creepy screaming drones.
Hauptwerk is state-of-the-art virtual instrument software for Macs and PCs bringing the worlds best pipe organs within reach of musicians everywhere. Used for study and practice by professional and amateur organists, organ enthusiasts, and organ students, Hauptwerk is the world’s leading virtual pipe organ software providing high-resolution audio and unparalleled flexibility in MIDI interfacing with digital organ consoles and pro-audio applications.
Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs
