Fast Track Build Brys Deep House 2014 TUTORiAL

TEAM MATRiX | 31.03.2014 | 1.79 GB

Deep House 2014 vision. Continuing on from our Sonic Rewind and expanding on our original ideas to make a full Deep House track.

The Recording Guide PDF

The Recording Guide PDF | 10.79 MB

Complete Guide about Drums recording (more than 100 pages)

Recording powerful and punchy drums is something I have been after since I started my audio engineering journey. I have read countless articles and books about drum recording, but most of them have failed to give me the results I am after. Most of the time, the biggest limiting factor of aggressive drum sound is the tempo. If you want the faster parts not to sound like a complete mess, you need to have total control over the sound.

Studio Acoustics and Sound Absorbers TUTORiAL

TEAM SYNTHiC4TE | 26-04-2011 | 100.9 MB

Learn how to make your own Sound Absorbers for your home studio. cheaps and easy fix to help you clean up the sound of your room and improve your listening and mixing experience. Also Learn how to analyse your room and what difference good absorbers will make!

50 Jump Blues Licks You Must Know 2013

English | MP4, data-dvd,864×486 (16:9) | 1,48 GB

Audio: MP3, 128 Kbps, 44100 Khz, 2 channels | Length: 03h 07 min

Matt Brandt’s 50 Jump Blues Licks You MUST Know covers the stylings of all of the major jump blues guitar players, from originators like Charlie Christian, T-Bone Walker, Clarence Gatemouth Brown and Freddie King to modern players like Duke Robillard, Ronnie Earl, Hollywood Fats, Rick Holmstrom and Brian Setzer. Even more poppy or rocky oriented bands and players like The Black Keys and Joe Bonamassa use jump blues elements in their guitar solos and backup parts.

The History of the Business of Hip-Hop Audiobook

Unabridged edition 2011 | 27 hours and 13 minutes | MP3 96 kbps | 1.15 GB

Charnas tells the story of hip-hop in this stylish, lavishly detailed love letter to the genre and industry. He follows the money and œthe relationship between artist and merchant—who, in hip-hop, are often one and the same from hip-hop’s early days as a œmarginal urban subculture in Harlem of the late 1960s to its insinuation into—and eventual domination of—mainstream popular music. Charnas makes an elegant case for how hip-hop is the consummate American art form, one that reflects American society in all its volubility and violence—as well as possessing the power to alter it. In its promise of economic security and creative control for black artist-entrepreneurs, it is the culmination of the dreams of black nationalists and civil rights leaders.

How To use Guitar Rig Kontrol TUTORiAL

TEAM SYNTHiC4TE | 26-04-2011 | 34.5 MB

Learn how to set up and use Native Instruments Guitar Rig Kontrol kit in this weeks course. We show you have to assign the buttons and pedal control of the hardware unit to the Guitar Rig 4 software amp simulator – allowing you to make use of the hardware and software combo LIVE. We also show you the basics of the User Interface and how to use the Control Room to get the desired sound you are looking for.

AAS Ultra Analog VA2 Explained TUTORiAL

TEAM MATRiX 28.03.2014 | 339.03 MB

In a world filled with reproductions and ever increasing complexity, Applied Acoustics Systems Ultra Analog VA-2 imposes itself as a unique and powerful synth that is fast, easy, and remarkably versatile. Synth guru Scottie Dugan takes you on a tour of this awesome virtual synth, showing you all that it can do, as well as sound design examples that will kick start your programming frenzy. Scottie begins with an intro showing you the synth and how to install, register and get it up and running. Next, you’ll learn how to save, load, import and restore Programs, followed by a look at the Play View where you can control basic performance parameters as well as the powerful Arp arpeggiator module. The Oscillators are then examined in-detail and you’ll see how this is where it all starts when making juicy, fat analog tones. The Filters and LFO sections are then revealed, and you’ll learn how to make even more complex tones.