Get to grips with music production on the Ableton PUSH controller presetend by K. Degiorgio. Kirk shows you all of the basic commands and functions of the controller, then takes you through creating a track on the fly, followed by mixing and arranging, all using the the Ableton Push.
In this all new FL Studio ‘How To Make’ are please to be joined by FL Studio Power user ‘SeamlessR’. SeamlessR will already be familiar to millions of FL Studio users from his demo tracks contained in FL Studio 11. Here he creates an exclusive Electro House track in his own unique style. Watch as he gets the most from both Harmor and Sytrus to create massive chords, epic drops and whopping risers, all nailed down with mammoth beats. Want to get that Deadmau5 sound, then this is the course for you.
Recording is easy, right? Just hit the button and BOOM, you’re an engineer! But what is actually happening? Watch this course by Joe Albano and learn the science of recording! Sound recording starts with the sound itself. Whether it’s an electric guitar or human voice, it all begins with a vibration that needs to be properly captured. That’s why having the knowledge of the science of recording is essential for audio engineers at any level. This animation and graphic-filled course, by audio engineer and educator Joe Albano, serves up all the the audio facts you need to know to help you become a better engineer and producer.
Who are super fans? They’re the fans who want to connect on a deeper level with recording artists—and are willing to pay for it. And while records are no longer sold like they used to be, artists now have the technology to connect to their audiences directly and build their base, one super fan at a time. Benji Rogers, founder of PledgeMusic, travels to SXSW to explore this topic directly with artists and industry experts. In this short documentary, copresented by PledgeMusic, Benji talks to Kevin Wortis, director of label services at Girlie Action Marketing; San Fermin, an up-and-coming Brooklyn-based band engaging with fans through Twitter; professors (and brothers) Jay and Chandler Coyle from Music Geek Services and Berklee College of Music; and Nicole Atkins, an established artist who found out she had more fans than she ever knew, when she turned to direct-to-fan platforms to fund her new record. It’s a brave new world for artists and fans. Find out how they’re using it to build long-lasting and career-sustaining relationships.
In this course, author J. Scott Giaquinta showcases his techniques for electronic dance music production that he’s used on productions and remixes with such artists as Madonna, Seal, David Bowie, Paul Oakenfold, and Johnny Cash. He’ll focus on drum sounds, demonstrating his techniques for layering kick and snare samples, compressing the sounds, using drum loops, adding a human feel and groove, creating drum transitions, using FX and automation, and other drum mixing techniques. This course features Ableton Live and Battery drum sampler, but you can use these techniques in any DAW of your choice.
This video is a documentary made by Alain Le Kim from Soundstrips. It is a complete journey in the Manley factory, explaining what the equipment is made of and how those pieces of gear are built.
EveAnna Manley runs Manley Laboratories with an incredible amount of energy. The factory, located in Chino, California, 30 miles East of Los Angeles, is bustling with activity and employs about fifty people. On the T-shirts that she herself designs for the company, EveAnna has written : Built in Chino, not China. In these times where it has become the norm to delocate manufacturing in China, Manley is indeed an exception. Everything is done in-house, including the transformers used in the circuits. The products coming out of Chino are « built like tanks » as many people like to say. It would be more appropriate to say built like Aston Martins, since these are not only well built but refined pieces of equipment. With her energy, disponibility and generosity, it is not surprising that EveAnna’s friends are great people. We drove three hours to go visit artist Jim Messina. The reason ? fetch a collection of old vinyls that he offered her ! Jim opened his private studio to us and offered us an incredible lesson in the art of producing and recording music. He an EveAnna went through all the Manley gear he uses, and they discussed the best way to take advantage of their vast possibilities. Jim’s studio is a dream place, with rows of gears on his line of racks. Vox Box, Elop, Massive-Passive, Slam, everything was discussed to length, before we had to drive back to Chino.
Presonus guru returns, serving up tasty tutorials on Comping Tracks in Studio One! Studio One versions 2.5 and 2.6 brought refinements to their Comping Workflow, and this series will get you up to speed on the latest techniques, along with creative uses for Comping that you might not have considered. Bill also shows you other new features and tricks, as you explore all aspects of Comping in Studio One v2.
