Professional Podcast Production For Fun and Profit TUTORiAL
P2P | April 23 2015 | 1.94 GB
You will learn the Freedom Podcasting production process which has been time tested to produce world class shows…
Viewed 2416 By Music Producers & DJ´s.
You will learn the Freedom Podcasting production process which has been time tested to produce world class shows…
Our series of 14 step-by-step tutorial videos on the latest version of Steinberg’s entry-level DAW begins with an introduction to the Steinberg Hub and the specifics of how to set its visibility in the Preferences. Then, we get into Cubase Elements itself, analysing its project folder structure and starting a new project by adding a range of track types: MIDI, Audio, Instrument, etc. With each track type controlled by its own array of Project settings, we show you how to view them in the Information Line and change them with the Project Set Up properties dialog, before discussing colouring of track types and introducing the Inspector. Next, we move on to setting up input and output connections in order to record external sound sources and make our project heard. This includes working in the VST Connections dialog to organize input busses and create input/output presets, and adjusting audio interface-related settings in the Device Manager.
Takes the mystery out of compression and teaches you what it is, what it sounds like and how you can use it to take your mixes to the next level.
Following on from lesson 1 show you some more Kontakt scripting tips, tricks, and techniques. You should now be familiar with the basics of Kontakt scripting so in this lesson we’re going to get a little more advanced. Each lesson in this series is standalone (there is a little bit of overlap) you don’t need to have seen any of the others to be able to follow along, although as you progress from lesson one to four it is expected that your base level of knowledge regarding Kontakt scripting is higher. All the lessons are in the form of a practical exercise, taking you from start to finish in the creation of a Kontakt sample library. It is expected in this lesson that you understand the fundamentals of Kontakt scripting; you should be familiar with the basic callbacks and have a good grasp of variables, operators, control statements and loops. There are over four and half hours of video in this lesson and the instrument we will build in that time is a synthesiser sample library.
In this set of tutorial videos will introduce you to the wonderful world of Kontakt scripting. There are over four hours of video, during which you will becomes familiar with the basic principles of computer programming. Not only will you attain a good knowledge in Kontakt scripting but you’ll also gain an overview of general programming practices that can be applied to almost any programming language. This is the first lesson in a series of four and it is aimed at the absolute beginner. If you have never written a line of code before and the words variables, callbacks, data types, functions, and loops mean nothing to you, then this is the lesson for you. During the videos we will build a strong foundation in Kontakt scripting from which you will be able to progress easily to the other lessons in this series. Each lesson is standalone (there is a little bit of overlap) you don’t need to have seen any of the others to be able to follow along, although as you progress from lesson one to four it is expected that your base level of knowledge regarding Kontakt scripting is higher. All the lessons are in the form of a practical exercise, taking you from start to finish in the creation of a Kontakt sample library.
Universal Audio has brought the legendary Lexicon 224 digital reverb to the UAD platform, and studio master B.Jon teaches you how to get the most out of this timeless, classic reverb emulation plug-in! Beginning with an overview of why the Lexicon 224 became so beloved in the late 70s and 80s, Brock gives you a complete overview of all it’s controls and quirks—including how the UAD plug-in version both models, and lets you defeat, some of the hardware unit’s famous bugs. The next videos offer in-depth looks on how to use the UAD Lexicon 224 on different types of tracks. Two videos show you how to use the Lexicon 224 on Drums, guiding you through getting any kind of sound from contemporary, tight reverb to a bigger, more lush reverb sound.
Fully integrated elastic audio was introduced in Pro Tools version 7.4 and gave editors the time-saving advantage of being able to change an audio file’s tempo or timing in real time without the need to render the audio. In Pro Tools 8: Time Manipulation with Elastic Audio, author Brian White shows how to adjust tempo, change pitch, and quantize audio tracks with elastic audio. This course covers auto-conforming audio loops and regions to a session’s tempo, enabling elastic audio on tracks, and using the five elastic audio plug-ins to extract as much fidelity as possible from the source material.