In this in-depth video tutorial series computer music guru Eli Krantzberg shows you how Celemony Melodyne 4 gives you complete control over the pitch and timing of every track in your project. You’ll see how you can use Melodyne both surgically and creatively, on individual tracks and even entire songs!
‘Future Deep Vocal Kits’ is a beautiful collection of 10 Dirty and Fresh Construction Kits and over 250 Drum Loops, Top Loops, Bass Loops, One–Shot Samples, MIDI and Presets. Simply all you need to create your own Future/Deep banger or to get some awesome inspiration. Inside you will also find drums, FX, synths, melodies and much more, all 100% Royalty-Free. The Construction Kits included are packed full of only the purest vocals which will set off your Future House tracks. This pack contains 3.4 GB of content and included is not only 10 Construction Kits with dry and wet versions of all main synths and vocals, but also a huge collection of drum/synth samples and loops.
Master Mix, Tracktion’s powerhouse mastering plug-in, includes six high end processing blocks as well as other sonic utilities. In this tutorial video series, studio guru Bill Edstrom dives deep and teaches you how to surgically correct your mixes and more with Master Mix. Bill begins with a video on Master Mix’s signal flow through its six processor blocks. The next video walks you through the Master Mix UI, including how to load presets and activate and deactivate the various processors.
Chock full of new features, Presonus expert Bill Edstrom walks you through all the new enhancements in Studio One 3.2 and demonstrates how you can use them in your sessions! Bill starts with an exploration of the new Console Shaper, the first new Mix Engine effects processor included with Studio One and how to use it to sweeten your sound with analog console emulation. Next, Bill demonstrates how you can use the new VCA Faders to create mixing groups and how to use the new VCA Folder Tracks feature to create a VCA for all the tracks in a folder for better control when mixing.
Most artists know they need a great manager. But finding one is tough. Before focusing on who your manager will be, you need to look at the what, where, why, and when of the manager’s role. Once you understand those job requirements, it will make identifying a manager a lot easier. This installment of Steve Rennie’s series, An Insider’s Guide to Today’s Music Biz, talks about the artist-manager relationship and how to get the most out of it, whether you are an artist or other music professional. Learn how to get the attention of managers, the right questions to ask when you meet with a manager, and the important things to think about when you hire your manager.
GET ON THE SIDECHAIN GANG
Use Live? Want to know how to get the perfect compressed sound? Look no further! Ableton Certified Trainer Craig McCullough shows you how to use the elusive technique of sidechaining in Live to make things fit better and have that “fitted” type of sound. Craig starts with an in-depth introduction that reveals the commonly used technique, then shows you how to set it all up. Next, Craig gives you some examples of the technique “in action” on a kick drum and bass sound, as well as on multiple tracks. Lastly, Craig demonstrates the method of using a separate sidechain source to control things.
This course is a comprehensive training course in the popular and powerful “Massive” VST plug-in. Using 100% high-definition screencasts, you will learn the ins and outs of this software. In 1 week, you will be able to create huge, earth-shaking basses, lush pads, screaming leads, and even some crazy FX presets. I created this course because learning the principles of true sound design opened up a world of possibilities for my productions. Massive helped get me there. Now I want to show you how to get there too. You’ll get access to 52 video tutorials. That’s over 10 hours of content. Plus I include all of the preset files that we build in the course for free. All for a really great price with a 30 day money-back guarantee. You can’t beat that.
