Mixing with Compression in Logic Pro X
FANTASTiC | 24 July 2018 | 837 MB
In this class, I demonstrate to you the features and benefits of using Logic Pro X’s built-in Compressor plugin to mix in-the-box.
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In this class, I demonstrate to you the features and benefits of using Logic Pro X’s built-in Compressor plugin to mix in-the-box.
After taking this class, you’ll be equipped with several exercises that will help your choir/group or yourself to expand your vocal range, tone and harmony when singing together.
This is the perfect place to start for beginner trumpet players! Take all the guess work out of how and what to practice. This program comes with specially designed practice videos for each lesson.
Making your own custom instruments adds an extra layer of originality and uniqueness to your productions and lets your creative voice project more clearly throughout your tracks. Using Ableton’s Sampler device and it’s powerful synthesis capabilities you can build your own instruments using sounds sourced from a variety of locations, acoustic, synthetic and found sounds. Master Ableton Sampler & Create Instruments That Give Voice To Your Unique Sound
The devices within the Max for Live Essentials Pack are incredibly powerful. A lot of these devices offer new approaches to audio processing, device control and melodic and rhythmic generation not available in any other plugin devices. This course focuses on device control. As such the devices covered; Mono Sequencer; Note Echo; Device Randomizer; Map8; MultiMap; XY Pad; Envelope and Expression Control allow you to generate, modify, control and effect MIDI and Audio data within Ableton Live.
In this class, you’ll be working with the Sampler instrument – which hasn’t changed much at all since the first version of the Garageband App. It’s an instrument that can sample or load any sound you like and lets you play that sound on a keyboard at different pitches. There’s also a few ways that you can manipulate the sound including taking advantage of some Smart keyboard features like the chord strips and arpeggiator.
It can be difficult as a beginning vocalist to realize the value of a warm up. A beginner might not know what exercises to do for their warm ups and how long to do them for. As a result, many singers get in the habit of either not warming up enough or “warming up” for so long that their voices are already experiencing signs of tiredness by the time the singers actually want to start singing. What’s more, these habits tend to carry over to when these singers become more advanced and they start dealing with more demanding music. In the video above, Robert Lunte answers a question about a hypothetical professional singer experiencing “rawness” and discomfort in their voice after only a few gigs in a row. In his answer, Maestro Lunte ultimately determines that the source of the singer’s problem is partially vocal technique and stamina management during warm up routines.