Not all of us can afford a soundproof professional studio whenever we want to record something – we record in our homes. Whether it’s voice over, podcasts, instruments, or whatever else you may record, there will be background noise.
In this video tutorial series designed for the new or beginner synth sound designer, synth pro Josh Bess shows you how to make 10 useful synth sounds using the Novation Circuit Mono Station. You can use the info on any real or virtual synthesizer, and you get both quick and dirty tutorials for those who want just the steps to take to make the sounds, as well as versions that are more detailed and include tips and tricks! Josh begins by welcoming you and goes over what the video series covers, and then hits the ground running with the first synth sound, the Saw Pluck. You’ll then see how to make a Acid Bass, Detuned Saw Pluck, Dark Bass Pluck, Smooth Sub Bass, Video Game Blip, Wobble Bass, Deep Drone Bass, Detuned Pitch Drop, and Smooth Saw Lead, all from scratch.
In this video tutorial series, SD3 guru shows you how to recreate some of the most iconic drum sounds in recorded drumming history! See how to make the sounds of some of the biggest names in drumming, all using the stock sound library in Superior Drummer 3! Luke welcomes you and then explains his thought process in creating this series and provides you with some insight into how he started each mix, and what you can expect to find throughout this tutorial series. He then starts with the legendary Jeff Porcaro, breaking down his sound and how to mimic it with SD3. Throughout the rest of the series you’ll explore the sound of other drum giants such as John Bonham, Steve Gadd, Joe Morello, Neal Peart, Chad Smith, Stewart Copeland, and Phil Collins, all with complete breakdowns of what makes their sound their own, and how to bring them to life with Superior Drummer.
Learn the Essential Gear Needed to Make Beats. I hope you found this course before you started to buy any music production gear. Over my years of producing music, I’ve made some poor and good purchasing choices. In this course I want to relay my knowledge onto you in regards to buying high quality gear, saving money, and choosing the products that suit you and your workflow. As a bonus, I also included extra videos where I share gear and tools that are nice to have to either improve your workflow or make your sessions more comfortable.
This week we welcome back South African producer for a masterclass in mixing solely using the awesome ‘Everything Bundle’. With an accessible monthly plan, this huge variety of high-quality plugins gives you the professional tools to make your tracks shine. Meticulously emulated on gear that has proved its worth since the dawn of the recording studio, Nate guides us through the different modules available to help fine-tune your mix from the various compressors in the Dynamics section, the EQ’s, reverb and delay, and also the saturators and pre-amps that fall into the Harmonics section.
MIDI is the heart and soul of Apple’s Logic Pro X. Learn to master Logic’s extensive MIDI features in this course by recording engineer, musicians and MIDI expert! It’s no secret that Apple’s flagship DAW is one of the most powerful software available for recording and editing MIDI. This course, by certified trainer Joshua Carney, will give you a solid MIDI foundation in Logic Pro X. Whether you are a beginner or a confirmed Logic user, this course is a must watch! Joshua starts with a brief MIDI lesson history where you learn what MIDI is and how it’s used inside Logic. Next, Joshua’s quick start guide will get you recording MIDI in no time and will give you a deep understanding of Logic’s MIDI flow.
Studio master brings you the video tutorials you’ve always wanted when needing to hook up external synths to your Cubase DAW system! Get all the basic questions answered as well as info on more advanced topics and solutions. Designed for the beginner to working with external synths in Cubase, Paul starts at the beginning showing you how to save your own input configuration to make the most of your available inputs, and set yourself up for the first device. Then it’s onto making your first connections and recording a single synth, layering parts as you go to create your full production, using only a single external synth. You’ll also get tips on ways to monitor your external synth, and how to get the most out of just one device. Still using only one synth, Paul now reveals how to capture and print MIDI data to audio, and talks about organizational approaches to handling multiple pairs of MIDI and audio tracks, as well as how to go back and make edits to your overdubs. For the rest of the video tutorials you’ll explore more advanced topics such as configuring your external synths to function like VST Instrument Tracks, using MIDI Clock, MIDI CC and Program Changes, MIDI Thru, Expanding Ports and more!
