Up and Running with Max for Live TUTORiAL

P2P | Nov 14 2014 | 198.5 MB

Max for Live is a collection of instruments, effects, and tools to expand Ableton Live’s music-production and live-performance capabilities, as well as a platform for building your own DIY devices. In this short course, author Yeuda Ben-Atar, aka Sidebrain, walks you through Max for Live Essentials (the free download for Ableton Suite 9 users), covering the Buffer Shuffler and Convolution Reverb, the LFO and Envelope Follower, and drum synths, and then shares some of his favorite third-party Max for Live devices. Yeuda also shows how to turn Ableton Live into a VJ station and program your own devices, like the patch he creates to turn the PlayStation 3 controller into a MIDI controller, with Max for Live.

Cubase MIDI Explained TUTORiAL

SYNTHiC4TE | Nov 14 2014 | 363 MB

THE INS & OUTS OF CUBASE MIDI

Discover the power that MIDI brings to Cubase as veteran Steinberg expert takes you on a MIDI journey in “Cubase MIDI Explained”. Learn all the key MIDI features and functions that will make composing and editing with MIDI in Cubase a breeze. Starts by showing you the fundamental differences between MIDI and traditional Audio in Cubase, and then how the Key Editor plays a pivotal role in how MIDI is viewed in Cubase. Next, explore the MIDI Inspector to see how its Parameters, including MIDI Routing, work together with Expression Mapping, MIDI Inserts and Sends, and other Panels to streamline your workflow. From there, shows you all of the available MIDI Recording Options you have to work with, as well as how to Import an Existing Recording for manipulation. Because VSTis go hand in hand with MIDI in Cubase, Mark demonstrates how to use MIDI to drive any number of VSTis for Production and Recording purposes. You’ll also see how to Manually Add Extra MIDI Notes for greater editing and control on your tracks, and how Adding Extra Controller Data can make for deeper MIDI editing.

Ozone 6 Mastering Toolbox TUTORiAL

SYNTHiC4TE | Nov 14 2014 | 504.4 MB

Ozone 6 is a formidable mastering tool packed with every kind of processor you need to master any kind of track. This course, filled with musical examples is the best way to learn Ozone 6. Master like a pro! This comprehensive 42-tutorial course by iZ expert, is a mastering “masterpiece” exploring the feature-rich plugin: Ozone 6. These listen-as-you-learn tutorials are designed to familiarize you with Ozone’s massive feature set while, at the same time, to help you understand all the tools and techniques you need to master any project on any DAW.

UAD Apollo Console Explained TUTORiAL

TEAM MATRiX | 13.11.2014 | 128.87 MB

Studio guru gives you a head start into the powerful but flexible Universal Audio UAD Apollo Console software. Learn all the basics plus cool routing and customization options that are available when recording with the awesome Apollo series interfaces. Matt first welcomes you and gives a preview of what’s to come in the series, followed by How to Install the UAD Console Software and Drivers. Apollo Console Inputs & Functions are next, and you’ll explore how they’re Controlled with both the software or via the Apollo hardware. Moving on, you’ll learn several Ways to Use the Apollo Console with your DAW, as well as Routing Techniques and Options. Wrapping it up, Matt explains what the Virtual Channels are and why you would want to use them.

Remixing Jupiter Ace in Logic Pro X TUTORiAL

P2P | 11.11.2014 | 1.5 GB

Returning to Sonic Academy for another monster course, Jupiter Ace serves up a brand new ‘How To Remix’ course. Having remixed the likes of Fatboy Slim, and Flo-Rida, Jupiter Ace, aka Gregory Ferguson knows what he is talking about when it come to remixing. Over the next 13 videos, Gregory shows us how to start with the vocal and how to get that all important hook going. Then we move onto programming the drums, bass and creating the main riff from a glock, and finally finishing with the arrangement and mastering. In the last video he show you a neat trick in creating your own custom Apple Loops.

iPad Music Production: Auria UPDATE TUTORiAL

P2P | 10 November 2014 | 2.48 GB

Auria is the first major digital audio workstation designed specifically for the Apple iPad, and in this course, author and professional musician Garrick Chow demonstrates how to use its recording, editing, and mixing tools to create great-sounding music. First, Garrick reviews the hardware you’ll need to start capturing audio, from microphones to cables and input devices. He then demonstrates how to record anything from a single audio track to a complete multitrack capture of a live band performance, or import audio from other iPad apps with Audiobus. He also shows you how to edit your tracks by adding splits and trims, apply effects, and use automation to create a final mix. Plus, learn to take snapshots so you can save your mix in different states along the way. Last, Garrick reviews the options for exporting your project from Auria in several formats to share it with the world.

Music Law: Recording, Management, Rights,

and Performance Contracts TUTORiAL

P2P | Nov 07 2014 | 119.4 MB

Music contracts are tricky, but you’re more likely to have a successful career in the music business if you can understand and negotiate their terms. In this course, author and attorney Rich Stim covers the main language, concepts, clauses, and stipulations in four major types of contracts: recording, management, performance, and rights agreements. For example, when it comes to record contracts, it’s important to know how advances and royalties work, how to maintain creative control, and what happens when a member leaves a band. Rich also tackles management contracts, describing what managers can do for you—and what to do when you need to let them go. Next, he explores the basic terms, riders, and payment options in performance contracts. Then learn about releases, artwork permissions, publishing and producer agreements, and other types of legal arrangements. Rich wraps up the course with a discussion of oral agreements, attorney fees and roles, and five basic rules worth remembering for every music contract.