Electro Hip-Hop: Mac Money delivers the sounds of the hottest Top 40 hip-hop and R&B tracks. Included is a complete package of beats, basses, keys, and guitars. In addition, Electro Hip-Hop: Mac Money contains vocal harmonies, speech, and scratching. The CD contains 421 (475MB) original, license-free loops.
Our Hip-Hop/R&B Vocals library is one of the most comprehensive collections of completely royalty-free vocal samples ever assembled on a single disc. Built on rap, soul, hip-hop, and R&B values, the Mac Money crew proves once again that nobody’s smoother. Your tracks will reach a new level of distinction as you lay in the vocal texture that’s just right – and this collection has what’s right – from male and female solos and harmonies to ad libs and scat phrases, beatbox riffs, sound bites, and even some spontaneous studio banter. And leave it to Mac Money to make sure it’s clean, smooth, in tune, and ready to slip into the mix. The Hip-Hop/R&B Vocals collection – brought to you exclusively by Mac Money and Sony Creative Software.
ACID Latin makes it easy for you to create irresistible modern Latin dance music.ACID Latin includes over 600 studio-quality loops – drums, horns, percussion, keyboards, guitars – produced by Karl Perrazzo, member of Santana and performer on the Grammy award-winning Supernatural album.
Mark Harbst (producer of our Universal Groove Elements and Futurist Drum ‘n’ Bass collections) is a master sound designer and one of the most creative sample library producers in the business.Originally released on Mark’s own Endlessflow label, the Ugly Remnants collection was celebrated as, “truly massive scary twisted ghostly weird wonderful splendid an excellent body of work.” (Electronic Musician magazine). Now, Sony Pictures Digital is pleased to present an updated edition of the Ugly Remnants collection over two volumes, each one a complete construction kit containing an enormous variety of music and sound. These are premium tools of the highest order for making any type of sample-based music. Ugly Remnants will inspire you to make some beautiful music in ACID – the quickest, easiest, and most fun way to turn your musical dreams into reality.
Toronto’s Bunker 8 is the happy home of one twisted company of obsessive, sunlight-deprived tweakers. Attacking from the north, they’ve infiltrated the Sony® Sound Series™ collection with locked-and-loaded copies of their Extremely Abrasive Beats library, a sonic weapon of beat loops and hits so caustic, we had to change their names to prevent a lawsuit. Fortunately for you, we left the sounds untouched, but be very careful – EAB is an unrelentingly harsh collection of fried beats and severe accents made for launching multiple rhythmic sorties on every industrial, postrock, crunchy downtempo, abstract hip-hop, and sheer noise frontier on the map. Pain-inducing, speaker-shredding, and highly toxic, the Extremely Abrasive Beats library transforms the ACID® software device into a piece of sonic ordnance that will effortlessly incapacitate the enemy and render it harmless. Use it without mercy.
The Machine Language II collection is producer Jon Drukman’s sophomore effort following the excellent Machine Language (2002) techno construction kit. This perfectly balanced assortment of great sounds delivers the best of the West Coast underground vibe straight to your desktop. Help yourself to all the beats, basses, sweeps, arpeggios, melody lines, and sound effects you need for weaving seamless blankets of electro, techno, and industrial music in ACID® software and all the other software and hardware tools that support the universal .wav file format. Nothing can beat the sound of great gear in the hands of a skilled programmer and producer. Jon Drukman’s second contribution to our catalog affords you the unique opportunity to evolve your own style in tandem with an accomplished artist who understands the true nature of his craft, and the magical properties of ACID software.
The Aural E: Eclectic Electronica library is Aaron Mellinger’s second contribution to the Sony Sound Series catalog, following his successful Electrocution (2001) construction kit. On this outing, Aaron stays true to his roots in popular electronica-based forms while taking side roads into electroacoustic processing, media manipulation, real-time performances, striking sound effects, stinger and stager elements, and more. Perfect as an eclectic standalone music construction kit, the Aural E loops are also ideal for multimedia developers who need positive, high-impact music and sounds of any duration. There’s something for everyone on the Aural E: Eclectic Electronica collection, an energetic, accessible construction kit that taps and unifies several music genres under rubrics of fidelity, immediacy, pop culture aesthetics, a little bit of kitsch, and the knowledge of what cool and useful sample libraries should provide.
