Chimes Collection KONTAKT

SYNTHiC4TE | March 22 2015 | 63.7 MB

Chimes Collection is essential when you need a great selection of up/down chime strokes in different speeds to place as audio in your DAW or trigger from your sampler.

22 GB Piano Samples 24,500+ Samples MULTiFORMAT

Intrinsic | 22-03-2015 | 22 GB

NNXT / NKi / EXS / FXP | SFZ / WAV

Sounds Include: Acoustic Piano, Electric Piano, Concert Grand Piano, 70’s EP Piano, FM Piano, Keyboards, Clavs, Harpsi, Organ, 60’s Organ, Grand Pipe Organ, Honky Piano, Pad Piano, String Piano, Rock Piano, Toy Piano, Vox Piano, Bell Piano, Reed Piano, Vibe Piano, Wurly Piano, Lyered Piano, Cinematic Piano, Ballad Piano, Harmonic Piano, Upright Comp Piano, Phaser Piano, Wah Panning Piano, Tremolo Wurly, Synthetic Piano, Jazz Rock Piano, Pop Ballad Piano, Vox Wah Piano, Smooth Jazz Organ, Church Organ, + TONS MORE!!!

23 GB PAD Sample Pack 20,000+ Samples MULTiFORMAT

Intrinsic | 22-03-2015 | 23 GB

NNXT / NKi / EXS / FXP | SFZ / WAV

Sounds Include: Pads, Atmospheric, String Pad, Dark Pad, Ambient Pad, Chord Pad, Gate Pad ,Morphing Pad, Noise Pad, Reso Pad, Slow Pad, Spooky Pad, Thin Pad, Ghost Pad, Motion Pad, Old Analog Pad, Super Saw Pad, FM Pad, Bright Pad, Dance Pad, Electric Pad, Gritty Pad, Fat Pad, Reverse Sweep Pad, Whisper Pad, Vox Pad, Phaser Pad, Mash Pad, Orch Pad, Silk Pad, JP String Pad, R&P Pad, Organ Pad, Motion Pad, Morph Pad, Epic Pad, Flange Pad, Analog Pad, Dream Pad, Echo Pad, Pulse Pad, Synth Sweep Pad, Fuzzy Pad, Flute Pad, Whirl Pad, Choir Pad, Bell Pad, Vowel Pad, Oooh Pad, Brass Pad, , + TONS MORE!!

AMG SynthPop for GarageBand Apple Loops AiFF

P2P | 22.03.2015 | Apple Loops AiFF | 395.54 MB

AMG is delighted to present Synthpop for GarageBand. It includes over 800 samples that pay tribute to one of the most significant musical movements ofthe 20th Century – the Synthpop revolution of the80s and 90s! An amazing library tracing the roots of ElectroClash from 80s Synthpop! AMG are delighted to present over 800 samples that pay tribute to one of the most significant musical movements of the 20th Century – the Synthpop revolution ofthe 80s and 90s! All over Europe a generation oftalented artists embraced the technology availableto them for the first time and made music using sounds no one had ever used before. This amazing collection pays tribute to these innovative artistswith authentic synthetic drum loops, synth riffs,bass lines, FX and more that recapture the energyand excitement of synthpop in the most accessibleformat available today.

Post-Guitars KONTAKT

SYNTHiC4TE | March 22 2015 | 2.13 GB

Post-Guitars is a collection of lush, warm and ambient guitar samples inspired by classic post-rock and ambient bands. The library provides fully playable guitars processed with a variety of reverb tails and soundscapes. You can control the balance between the dry guitar and the ambient tails with the two volume knobs on the interface. There are also 4 different effects sends for the dry signal to add further flexibility. The patches are split into 4 categories. The “Harmonics” and “Sustains” categories gives you long tails made with delays, reverb and granular effects, while the “Layred Sustains” and “Pads” layers the sound with synthesizers and/or other instruments like piano and bells

Haunted Piano KONTAKT

DISCOVER | 21 MARCH 2015 | 132 MB

The thing about toy pianos is this: they’re scary. Just like a playground at midnight with one empty swing moving; or a rocking horse in a dusty, forgotten nursery suddenly creaking against the floorboard; or the doll whose eyes follow you from across the room. Don’t turn your back on them. Haunted Piano is created from multiple samples of two toy pianos which between them span a full three octave range. We sampled them at midnight, by candlelight, when the moon was full (and at 24-bit, natch). Using three velocity layers and two round robin sets, we created an eminently playable and responsive virtual toy piano, which can sound just as clunky and naive as the originals. But then we went a bit further down the spookiness path, pushing the sound of the virtual instrument into sound-design territory. The samples can be reversed with the click of a button, to give eery builds and surprise tones, or to recall those “backwards masking” moments so favoured by demonic rock bands. They can also be force-transposed down by three octaves for groaning, bottom-of-the-sea, sepulchral noises and cavernous drones; or pitched up two octaves for tiny, sparkling fairy-bell sounds that glitter and gleam.

Lorenzo KONTAKT

DISCOVER | 22 MARCH 2015 | 178 MB

We have a bit of a soft spot for reed organs. They can add an instant blanket of breathing, organic warmth to a track. Their tuning’s never perfectly stable. The reeds are never quite in sync. The fan noise adds a dash of high-frequency texture to each note. Overall, we can’t get enough of them. The Lorenzo is a compact four-octave reed organ. No chord accompaniment buttons; no tone controls; just keys and reeds and a fan breathing air over them. So it only does one thing, but the sound it makes it just fantastic. We were very taken by what a contrast this machine is to Sheltone – a much darker tonality with a very slight sense of crackle from the fan; almost a vinyl warmth. Where Sheltone is bright and clear and great for cutting through a mix, Lorenzo is richer-sounding and fuller.