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The library is based on 30 tenor saxophone samples with tempo and key information. Each phrase is usually between 1 and 4 bars long. All phrases are played on the same harmony pattern and can be easily combined with other instruments, playing in the same key. This makes it easy to create a complete song arrangement. The phrases are based in the jazz genre, but they also work great in other genres like pop, chill or blues.
This is a light version of the Vienna Concert Grand piano library. This instrument is based on a Bosendorfer 290 Imperial. It originally appeared in the Akoustik Piano software. Despite its age, I think it’s still quite a useful piano library, especially because it has those 9 notes below A0 going to C0, giving it a full 8-octave range. The samples in the original release were in 24-bit 44.1kHz WAV format. The samples were converted to 16-bit files. A null test with the original samples results in a peak of -87dB, which won’t be audible by any means! The samples were converted to KONTAKT’s proprietary NCW format, and then packed into NKX containers for convenience. The result is a reduction in size of around 82%, and space savings of 2.4GB!
FERRUM, is a modern trailer percussion powerhouse with a huge variety of cinematic percussion from epic and massive cinematic hits, punches, anvils and doors impacts to cymbals, bells, tiny metals and metallic foley. The Full Edition includes 23 patches with a total of 550 notes, each of which has up to 16 round-robins with several mic positions as well as velocity layers resulting in thousands of unique hand-crafted samples of the highest quality.
Inside of this pack you can find over 1500 cool techno synth loops in dry / wet versions (almost 1.5 GB !!!) – all in WAV format! Sample groups: BASSES (130 bpm), BASSES (135 bpm), CLUB-HOUSE (130 bpm), HARDSTYLE (142 bpm), HARDSTYLE SPECIAL (142 bpm), HOUSE PIANOS (130 bpm), HYPERSAWS (142 bpm), TECHNO-CLUB (135 bpm), TECHNO-CLUB (142 bpm), TECHNO-CLUB SPECIAL (142 bpm). Loops are stored in 2 versions with and without FX. Loops without FX offer unlimited mixing possibilities, while loops with FX are more “ready to use”.
Grain Scanner lets you design experimental noises, glitchy effects, alien textures and massive clouds of ambience. Its advanced sound engine turns any sample into a blank slate for otherworldly synth parts. A 10-voice polyphonic granular synth and re-synthesizer, Grain Scanner chops samples into small slices, then re-arranges and plays them back in a multitude of ways. The result is sound that lives somewhere between the organic and the synthetic. Grain Scanner is set up for intuitively creating evolving textures that change in complex and unpredictable ways. Its advanced granular engine can play up to 1000 microscopic slices of a sample simultaneously. A dedicated modulation page features four LFOs. Modulate each of the 10 voices individually or modulate the global parameters with up to four modulation sources at once. And its step sequencer and separate effects panel let you mold your sound even further.
All pad variations were designed with the legendary Schmidt Synthesizer – an expensive 8 voices real analog beast. All processed versions were designed with several hardware devices like Bricasti, Lexicon 224, Vertigo Sound EQ, Eventide H3000 and other devices to create “deepness”.