Tube Drum KONTAKT

TEAM SUNiSO | 11 Oct 2009 | 653 MB

Inspired by the Blue Man group, we decided to build a PVC pipe thwacker thing… a ” Tube Drum ” .. technically known as a “plosive aerophone” . Starting with a very long 20 foot (6 metre) pipe (that’s a 57 Hz fundamental, for those without a calculator)… we thwacked, and we sampled and we sawed… we thwacked again, and we sawed again — we went back to the hardware store a few times — until one last little piece (6 inches / 16 cm) gave us the high C6. This gave us the ?ve octave completely multi-sampled 63 note Tube Drum.

Bowed Piano MULTiFORMAT DVDR

TEAM DYNAMiCS | 11.08.2008 | KONTAKT/EXS | 1.30 GB

What happens when you take a perfectly good instrument – one thats been around for hundreds of years – and completely rethink it? Many musicians have dug their hands into the piano, John Cage prepared it with bolts between the strings, others have strummed it or hit it with their hands, but one of the most ethereal and unorthodox techniques is that of bowed piano. First suggested by the composer Curtis Curtis-Smith in 1972, the technique uses flexible bows made from monofilament nylon fishing-line which are then coated in rosin. The nylon is threaded under the strings, and the performer can coax a sustained tone from the piano. Bowed piano has since been adopted and expanded upon by various other composers, including George Crumb and more extensively.

Black Grand Steinway MULTiFORMAT GiGA

Team BSOUNDZ | 6DVD / MULTi: 10.8 GB  | 3DVD / GiGA: 3.62 GB

The magnificent Steinway D, recorded in a concerthall for the true concert grand experience. Three different perspectives, Close, Ambient and Medium Ambiance gives you tree different instruments to choose from. Incredible 48 samples/note cut’s this sampled instrument in a class of it’s own.  The “Close” perspective was recorded with the microphones placed very close to the strings. Normally, this isn’t the way you would record a classical piece, but you will find that this perspective gives you a great presence and brilliance. Try this version for an in-your-face pop or jazz sound, or for bold and aggressive features. Definitely reach for this version first on a live performance. It has the raw edge needed to cut through a pounding rhythm section, or to back up a powerful vocalist. The more live your playing space, the more likely that the Close Perspective instrument will work for you.

White Sister 24BiT MULTiFORMAT

TEAM DYNAMiCS | 2006 | 2DVD | 3.19 GB

ESX24 KONTAKT HALiON

White Sister – 36 velocity layer design piano!. The White Grand is by many musicians and composers believed to be the finest contemporary studio rock/pop/jazz Grand Piano. The White Grand is heard on numerous recordings and are used on soundtracks from many movies and other media. When designing the White Grand we went for a very special sound. A sound that would make the White Grand special and stick out. This called for close miking with microphones placed close to the hammers/strings. We also recorded a second stereo pair using two microphones in a position that’s more normal for piano recordings and mixed that with the original microphones; this gave a bit more ambience and a slightly rounder tone but with all the characteristics that makes the White Grand so Grand.

Trap Warfare MULTiFORMAT

FANTASTiC | 15 November 2015 | 935 MB

If you are looking to stock up your Trap sample arsenal, then you are in the right place. Trap Warfare is literally exploding with high caliber production weaponry that will blow the sound system apart! A serious assault on the senses, this aggressive Trap sample pack features a hefty collection of loops and samples covering system quaking sub kicks, glitchy snare rolls, ghetto chants, catchy lead lines, raw synths and of course the obligatory processed 808s. All loops and samples are 100% Royalty-Free and ready to download in 24-Bit WAV, and ACID WAV Loops, with sampler instruments patches for Kontakt, Ableton Sampler, NNXT, EXS24, Maschine, MachFive and Halion.

Cinematic Synth FX WAV KONTAKT

FANTASTiC | 15 November 2015 | WAV: 1.14 GB | KONTAKT: 1.16 GB

Cinematic Synth FX is a collection of cutting edge, synth-based sound design elements inspired by the most popular FX currently being used in films, movie trailers, TV shows, ads, and other forms of media. The library includes over 1.6 GB of original WAV content formatted for use in a licensed version of the Kontakt engine. The sounds were selected for their dramatic impact and power, making them ideal for high-intensity, action-based cues. From deep, sub-shaking hits to cone-ripping complex risers, CSFX makes it easy to add pro-level sound design elements to your productions. Cinematic Synth FX also includes a full suite of Kontakt patches that include all sample content mapped by group. For example, you will find all “Cinematic Drones,” “Combo Hits,” and “Fallers” on their own individual patches. These Kontakt patches come pre-loaded with a full set of FX and intuitive mapping, making sound design and further FX design as simple and quick as possible.

Subtle World KONTAKT

SYNTHiC4TE | Nov 14 2015 | 516 MB

Pulsing Fields Automations for Kontakt 5 Subtle World will make you delve deep into the world of Field Recordings, Textures, Pads, Rhythmic Elements, Noises, Loops and Pulsing Instruments. it’s perfect for Film & Game, Underscores, Ambient, IDM, Techno, Chillout, Dub, Sound Design and more… To speed up the production flow, and for your pleasure and fun, you will enjoy the preassigned automations features, which make very easy to “morph on the fly” all sounds. You don’t need to take your hands off your MIDI keyboard to endlessly perform mutations of each patch, from tiny high crackles to big distorted pulsing drones. All sounds in Subtle World are ever-evolving (long samples) and trasforming instantly just with the touch of your Mod Wheel and the four pre-assigned knobs on your MIDI controller (you MUST explore them, to fully enjoy Subtle World). You can instantly control the custom Mod Wheel assignements, plus the Low Pass / High Pass filters, Distortion and LFOs. All FXs are in sync with your host tempo (bpm).