Glockenspiel KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 358 MB

Kontakt: 185 MB • WiN VSTi x86 x64: 111 MB • MacOSX/AU: 60 MB

The ear-ringing (not bell-ringing) descendant of the carillon is the not-very-intimidating-looking Glockenspiel. However, one must beware its ability to surpass even the piccolo in pain due to high notes. Our glock is slightly more on the mellow side, but, recorded up close, provides a great rich fill of the harmonics, not to mention a lovely quiet end for those cute songs about winter and snow fall when a celeste just won’t do. Unlike most sampled glocks, you get to hear the full natural impact of the mallet and get a full range of dynamics. If you don’t like the impact, just add a high-pass filter, we won’t mind.

Dan Tranh KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 821 MB

Kontakt: 170 MB • WiN VSTi x86 x64: 430 MB• MacOXS/AU: 221 MB

The Dan Tranh is a traditional zither originating from Vietnam. It is considerably longer than its European and American cousins, and is also Tuned as a Pentatonic Instrument. 16-17 metal strings run the length of the instrument with bridges halfway for each string. In traditional performance on this instrument, one hand plucks the strings on one side of these bridges using plectrums (finger-picks) and the other hand bends the pitches of the notes as desired on the other side of the bridges. This allows an incredibly dynamic and unique performance which is very hard to sample and replicate.

Hand Chimes KONTAKT AU VSTi

DiSCOVER | May 08 2016 | 171 MB

Kontakt: 100 MB • WiN VSTi x86 x64: 44 MB • MacOSX/AU: 26 MB

Hand Chimes are a strange quirk of musical evolution. Created as a cheaper and more durable alternative to hand bells, these giant mutant ninja tuning forks have a mellow sound that is best described as a cross between a xylophone, a music box, and a celesta.These sound excellent in all sorts of textures, but as we found out, they’re really great with arpeggios (listen to the demos down to the right). You can also get great effects by pushing the attack back. Use them as an alternative to celesta when you get tired of that sound, or almost like mallet percussion.

Timpani KONTAKT AU VSTi

DiSCOVER | May 08 2016 | 184 MB

• Kontakt: 108 MB • VSTi Win x86-x64: 35 MB • MacOSX/AU: 40 MB

The Timpani, also known as Kettle Drums, are a set of 3-5 large, bowl-shaped drums tuned to pitches that create a strong, resonant sound, perhaps best known from its bold appearance in Also Sprach Zarathustra. Over six hours of raw recording went into this virtual instrument, originally yielding 1,300 samples. We’ve paired it down to the best of those and balanced it out across velocities and notes to create a highly playable instrument with a broad dynamic range and an exceptionally punchy top velocity.

Marimba KONTAKT AU VSTi

DiSCOVER | May 08 2016 | 512 MB

• Kontakt: 284 MB • Winx32-64-Bit: 147 MB • MacOSX/AU: 80 MB

The Marimba is a relative of the xylophone, distinct for its large, typically semi-tubular resonators found underneath the keys, and larger range than its smaller counterpart. Its history is complex, having early origins in Africa and Central America, but it found a prominent home in the halls of America’s Vaudeville at the start of the 20th Century. The marimba is unique from many modern instruments in that its playing style is still evolving quite rapidly, with new applications and playing techniques coming forth every few years.

Minimal Impact MULTiFORMAT

Team DYNAMiCS | Feb 2011 | 552.01 MB

Minimal Impact is a flexiblel sound tool specifically designed for powerful Minimal and Tech productions. The library consists of 810 Mb of worldclass construction loops, unusual basslines, broken percussive loops, digital noises, fresh athmos, floating synth loops, resonant glitches and much more. In addition to the loops you will get hundreds of multi-format drumkits, percussive & synth instruments that will allow you to create your own sequences.

Cinematic FX KONTAKT

TEAM VON.G | 15.01.13 | 50 MB

Great cinematic FX library based on KONTAKT. Effector, we’re only one master compressor limiter bracts 1. Reverb and EQ, filters, etc. I’ve used the ones that are standard equipment on the sound module. Gives a natural-sounding reverb IR so. I wondered over to guitar amp simulator, I would like to create a sound effect only on audio as possible, I will not put. (Patch is also multiplied by the only overdrive analog, it is also possible to get a sense drive natural Multiply by the amp simulator it).