GF Synth Collection WiN MAC

Team R2R/MORiA | 11 July 2025 | 1.2GB

Monster 4000 v1.0.2 MAC

MORiA | 11 July 2025 | 594.13MB

Monster 4000 The classic, reimagined.

Monster 4000 is an essential mixing tool, modelled after the well-known console compressor used as a mixing “glue”. Now with extra saturation. Add more punch, make the record tighter, smooth out the mix – it handles all of that. External sidechain gives you even more flexibility, while dual-mono feature gives you more control. It’s that final something needed for every recording.

L2-Aura v1.0.2 MAC

MORiA | 11 July 2025 | 87.6MB

L2 Aura The immortal tube compression. Based on an absolute vintage classic. L2Aura is simple to use, delivering the gentle, smooth compression to vocals, guitars, keyboards, basically everywhere. Level your screams with precision and keep them where you want them. External sidechain gives you even more flexibility, while dual-mono feature gives you more control over your bus. Ideal for making sure the track stays tight in the mix.

AK476 v1.0.2 MAC

MORiA | 11 July 2025 | 67.07 MB

AK-476 The legendary FET compression

Based on arguably the most famous compressor/limiter in history. AK-476 is the perfect tool for vocals, drums, bass guitars, and any track where you need reliable, fast dynamic control. Able to tame the fastest transients, as well as accentuating the instant smack of your snare. External sidechain gives you even more flexibility, while dual-mono feature gives you more control over your bus.

DMG Audio All Plugins v2023 macOS

MORiA | 06 January 2025 | 136.6MB

DMGAudio is Dave Gamble and co-conspirator Krzysztof Oktalski, enriched with ideas from hundreds of engineers, producers and audio specialists. Dave has worked in Pro-Audio for over a decade, for prestigious companies such as Focusrite, Novation, Sonalksis, Neyrinck, Brainworx. DMGAudio was created to build the products that we’ve always wanted; free from the constraints of a board of directors and instead driven by our users.

Equalizer v1.0.x WiN MAC

MORiA/R2R | 07 May 2025 | WiN:6.32MB | MAC:22.63MB

..: AU | VST2 | VST3 | x64 | AAX* :..

EQUALIZER Equalizer intelligently and dynamically balances your tracks. It shapes the tone of your signal to make it sound more natural. It enhances deficiencies and attenuates excesses. Zero latency. Dynamic tone shaper. Equalizer analyzes your tracks and intelligently decides where to apply corrections (boosts or cuts) to make them sound more natural and pleasing to the ear. It refines your tracks by performing constant EQ changes based on the input signal, giving results previously impossible to get. Equalizer significantly streamlines the mixing process. Use it as a starting point in a mix to even out the balance of the tracks, thereby reducing the amount of processing required in later stages. It can also be used on the master bus to make final adjustments to the entire mix or master.

Apple Motion v5.9.0 macOS

TNT | 15 November 2024 | 2.76 GB

Another must have plugin if you use Final Cut Pro! Enjoy.

Today, 12 November Apple has updated all the pro video and audio apps. Final Cut Pro updates 10.5, Motion to 5.5 and Compressor to 4.5. A few new features for FCP, but all will now run on Apple silicon! We list ALL the new features. With Big Sur out, it wasn’t going to be long before the pro apps got their huge dual binary update so they could run on the new Apple silicon. Motion is a software application produced by Apple Inc. for their Mac OS X operating system. It is used to create and edit motion graphics, titling for video and film production, and 2D and 3D compositing for visual effects. The Motion interface has been redesigned specifically for Final Cut Pro editors, with a familiar look and feel that makes it easy to switch between the two applications. A new single-window layout puts all the tools you need at your fingertips, and redesigned icons make it easy to identify options at glance. The darker look of the new interface is designed to enhance color perception as you work with any combination of video, stills, and motion graphic elements. Many filters now include onscreen controls for direct, intuitive manipulation of effects. And keyframe editing is much more accessible thanks to a new view that displays the Keyframe editor below the timeline.