Sinevibes Bundle 2022.1 WiN

Team V.R | 31 January 2022 | 34 MB

(Win64; AAX*, VST3)

Efektor FL3606 v1.1.1 WiN

JustFun598 | 31 January 2022 | 23 MB

..::Flanger FX Engine::..

Originated from manipulating tape recorders by slowing down one of its flange (hence the ‘flanger’ name), FL3606 creates a swooshing sound dubbed as the ‘jet engine’ effect.

ValhallaShimmer v1.2.2.2 WiN

Team R2R | 2021.12.04 | 2.94 MB

PLATFORM: VST/VST3/AAX(MOD)

At its core, ValhallaShimmer is a high quality reverberator, designed to produce a smooth decay, that is both dense and colorless.

Valhalla ÜberMod v1.1.6.3 WiN

Team R2R | 2021.12.04 | 3.06 MB

PLATFORM: VST/VST3/AAX(MOD)

ValhallaÜberMod is a unique multitap delay and modulation plugin. With up to 32 modulated delay taps, extensive diffusion and overdrive sections, and parallel slow and vibrato LFOs, ÜberMod creates lush dimensional choruses, classic string ensembles, tape and BBD echoes, nonlinear and reverse reverbs, and a bunch of sounds that defy categorization.

Aphex Bundle v18.8.0 WiN

Team R2R | 2021.12.08 | 2.32 MB

PLATFORM : AAX(MODiFiED)

Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations. Now the same unique ability to increase presence and restore natural brightness and detail, without significant equalization, is available as an AAX Native 64 and AAX DSP 64 plug-in! Big Bottom is a proven sound enhancement plug-in for Pro Tools 11 — from the company that invented sound enhancement. Modeled after the Big Bottom circuit in the Aphex Model 104, Big Bottom is an example of stunning, patented Aphex circuitry.

Kawai K1 v1.24 WiN MAC LiNUX

[FREE] | 26 August 2021 | …

MAC: AU/VST2/3 | WiN: VST2/3 | LiNUX: VST2/3

ils‘ K1v is a rompler that emulates a Kawai K1, a famous japanese classic 88from 1988.

SILIKA v1.1.0 WiN

Team R2R | 24 Sep 2021 | 66.3MB

..:: VST, VST3, AAX, x64 ::..

One particular flavor of vintage compressors that clip beautifully, we have completely closed the Analog/Digital gap. SILIKA is not ‘close’, it’s not ‘different but just as good’. It’s ‘Sonically Identical’ to the types of hardware it’s modeled after. When you drive this plugin’s input, everything melts deliciously. In particular, the high frequencies lay back and spread out without getting edgy, or bright, or even the least bit ‘zingy’. It may get too grindy, but it won’t hurt your ears. Think Led Zeppelin IV’s hazy grunge, and you’ll start to get the idea. SILIKA owes its killer sound to an extraordinarily complex harmonic distortion generator, but operationally it’s a relatively simple compressor with a familiar feature set. All of its distortions are controlled with the Input knob, which can be switched and blended to taste. The resulting signal then gets passed to a compressor/limiter with 4 available ratios, standard Attack/Release/Threshold/Mix controls, and sidechain filtering options which, while simple, allow for a dramatic reshaping of the compressor’s behavior.