VoicePitcher 4 v4.0.1 WiN

MOCHA | 31 May 2022 | 5.4 MB

(VST/VST3/AAX/STANDALONE)

Make vocals stand out Add 3D richness, texture and harmony TB VoicePitcher 4 is a dual voice pitch shifter with creative freeze effect. Help vocals stand out by adding one or more virtual tracks, with LFO-driven dynamic pitch shift and delay for a more natural doubling effect than a chorus or conventional doublers. The unique freeze option can freeze vowels instantly for creative effects. The snapshot selector allows you to quickly change and recall settings for dynamic switching, real-time performance effects and easy automation.

The God Particle v1.0 WiN MAC

Team FLARE | 31 May 2022 | WiN: 9.21 MB | macOS: 28.1 MB

MJUC v1.7.2 WiN MAC RETAiL

P2P | 30 May 2022 | 53 MB

Variable-Tube Compressor

MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.

SDRR 2 v2.4.1 WiN MAC

P2P | 30 May 2022 | 43.09 MB

AAX, AU, VST, VST3, RTAS, x86, x64

The Saturation Chameleon

SDRR was build to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has it’s unique crosstalk behaviour, which can be switched of or exagerrated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bitcrusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR.

Amplifikation Clarent v1.0.0 WiN

Team R2R | 13 Jan 2021 | 443MB

PLATFORM: WiN32/64 – STANDALONE/VST/VST3/AAX(MODiFiED)

3rd gen Tube Simulation technology following the much hyped Amplifikation Caliburn and Matchlock. Amplifikation Clarent is inspired by Orange* amps and thanks to the 3rd gen Tube Simulation engine guarantees a more dynamic natural sounding, realistic amp recording experience for guitarists. There are no other guitar amplifiers other than Orange Amplifiers* whose looks and presence is as unique as its sounds. Instantly recognizable by its bright colorful appearance, delivering thunderous crunchy tone used by world class acts such as Fleetwood Mac*, The Black Crowes*, Oasis*, Mastodon*, High on Fire*, Slipknot*, Orianthi*, Deftones*, Korn*, and many others!

Solo v1.2.12 WiN MAC

MORiA | 26 April 2022 | WiN: 78.17 MB | MAC:78.11 MB

PLATFORM: STANDALONE/VST3/AAX(MOD)

Welcome to SOLO, a new virtual instrument that authentically recreates the sound of modern world music. Whether it is quickly playing presets, tweaking sounds, setting up comprehensive modulations, or trying unique microtonal scales, SOLO is designed to be easy to use. We’ve partnered with musicians and producers from around the globe to include a library of authentic sounds to help you stand out from the crowd. If you want to explore more, you can import your own custom multi-samples into SOLO. Welcome to a new world of sound.

Gong Amp v1.0.0 WiN

Team R2R | 19 January 2022 | 38.8MB

The Resonance of Early Electronic Music

Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today. In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day.