Overview Mäag EQ4 M is a 6-band dual channel mastering EQ that counts Chris Lord-Alge (Greenday, Madonna, U2) and Tony Visconti (David Bowie, T. Rex, Esperanza Spalding) among its many fans. Now Brainworx, the masters of analog modeling, have finally transformed this renowned hardware into the Mäag EQ MS plugin.
One thing to notice is that Wusik Station V8 is actually a NEW product. I didn’t just took V7 code and made it cross-platform. No, I started from zero, reusing Wusik 8000 code which is cross-platform and uses modern coding. This presented some problems, but also introduced a lot of new great features that V7 did not have, but also removed some features that V7 had and now I need to work on.
The Bass Hammer plugin, modeled on the Aguilar Tone Hammer*, is engineered for advanced bass tone shaping, featuring Adaptive Gain Sculpting, comprehensive EQ adjustments, and versatile cabinet simulations.
Effectrix2 is the latest and greatest version of our beloved real-time audio manipulation tool. Embrace your role as the conductor of sound, as you paint the matrix with 14 top-quality effects, meticulously designed and refined to perfection. From classic time-stretching and looping to granular synthesis and glitchy madness, the possibilities are endless. Whether you’re a professional producer, hobbyist, or daring DJ, Effectrix2 will become your go-to tool for adding that extra touch of magic to your tracks.
The APU Loudness Limiter is a real-time limiter designed to support multiple loudness types simultaneously. The limiter can be configured to use LUFS, True Peak, RMS, and/or Peak loudness types. This allows you to target multiple requirements simultaneously, such as a specific LUFS target and a specific True Peak target. Internally, the ballistics of the limiter are adjusted to accommodate the different loudness type limiter settings.
The oberhausen draws deep extensive experience of working with analog audio equipment to creatively craft world class mixing and mastering plugins. As the cutting-edge company’s highly-anticipated first Virtual Instrument, it effectively revisits an acclaimed analog synthesizer expander module much loved by generations of musicians for its sought-after sound. The sound itself is reliant on fully-analog, discrete circuits and a classic state-variable 2-pole filter. Some of the key features which have never been done before on this synth is a powerful unison mode, M/S Technology.
The bx_XL V2 provides mastering engineers the ability to deliver loud mixes, without squashing the life out of them. Using the M/S technology from BWX’s revolutionary bx_digital EQ, you can split the Mid channel into two bands (high and low), allowing you to control the level of three individual channels—side, mid-high, and mid-low—to increase loudness while drastically improving the clarity of your mixes, with far fewer artifacts and much more punch.
