Miroslav Philharmonik 2 WiN MAC

Team R2R | March 22 2018 | WiN: 77 MB | OSX: 90.3 MB

TEAM R2R | 22.12.2016 | Sound Content Update1 HYBRiD: 29.91 GB

Team R2R | 25 Dec 2016 | CE Sound Content Update1  5.46GB

STANDALONE/AU/VST/VSTi/VST3/AAX

Miroslav Philharmonik 2 gives you more than an orchestra’s worth of sounds — it lets you conjure the human expression and emotion behind every single one of its sounds. It gives you an expanding library of over 2,700 instruments that each have been recorded with beautiful high-resolution sound to meet the exacting standards of Miroslav Vitous himself. You get soaring strings, animated woodwinds and majestic brass plus a majestic 9’ concert grand piano, an elegant harpsichord, stately orchestral chimes, angelic harps, a kinetic concert marimba, a warm and rich vibraphone and a lively glockenspiel that all feature that same uniquely human touch that made the original Miroslav Philharmonik such a highly regarded classic. With these sounds, you won’t just be playing notes, you’ll be playing the passion of the master musicians behind the instrument samples themselves. And because of this, every instrument just seems to “fit.”

Matrix-12 V v2.7.1 WiN MAC

MORiA | 23 April 2021 | 381.16 MB

STANDALONE/AAX/AU/VSTi/VST3/32Bit/64Bit

ENTER THE MATRIX | The massively powerful Oberheim Matrix 12 has been resurrected at last. Using our TAE™ modeling techonology. we are able to recapture and bring you this beast of a synthesizer. Often coveted, rarely found for sale, and known as one of the greatest analog synths ever made, the Oberheim Matrix 12 was the crowning pinnacle of Oberheim products. Used by the likes of Joe Zawinul, Michael Brecker, Keith Emerson, Vince Clarke, Tangerine Dream, Nitzer Ebb, and many more, it is now available to you too.

Melodyne Studio v5.1.1 WiN

Team RET | 24 December 2020 | 24.8 MB

PLATFORM: STANDALONE/VST3/AAX/x64

New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.

B-Comp v1.2.0 WiN

Team R2R | Feb 28 2020 | 8 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The B-Comp is a stereo compressor. it was originally designed after testing diode bridge compressors. The Vintage/Modern options vary the attack and release characteristics of the processor and will vary the ‘colour’ of the output. Switch between them to hear the difference and select what works for you. This switch has more to do with ‘colour’ or ‘feel’ of the sound

FD2N Russian Edition v1.1.1 WiN

Team R2R | Feb 28 2020 | 8 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

“FULLNESS TUBE EQUALIZER”

FD1N British Edition v1.1.1 WiN

Team R2R | Feb 28 2020 | 7.3 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The FD1N is nicknamed “British Edition”, while the FD3N carries the label “U.S.A. Edition”. It doesn’t appear that the EQs have been modeled after any specific British or American pieces of hardware, mention some components that were used for the models…

Dubstation 2 v2.1.0a MAC

SYNTHiC4TE | Nov 27 2019 | 4.2 MB

AU/VST/VST3/AAX/x86/x64

The original dub delay plugin and still the best! Dubstation 2 takes our most popular product and adds a whole raft of new features, including a dual mode for separate control over the left and right delay times, ping-pong, a new feedback saturation algorithm, and an LFO. Along with an all-new procedural and Retina-friendly user interface and (FINALLY!) ProTools compatibility, this represents a major leap forward for one of our signature products. All those bells and whistles aside, the heart of Dubstation is our painstaking bucket-brigade delay model. Often imitated, but never duplicated, Dubstation has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. With the addition of the LFO and saturation controls, Dubstation has moved in to the realm of tape delay emulation as well, and is a sonic Swiss Army knife for delay.