Graindad is a granular effect for high quality realtime audio manipulation. Freeze, texturize or reorganize & slice your audio, triggered by transients, clocks or MIDI notes. A complex modulation system with intelligent randomizers provides astonishing results. Filters, reverbs, delays and the all-at-once manipulating Harvester complete the package.
Modern multi-mode high & low pass filters + a Vintage re-creation of an iconic 80’s console’s filters. The brain child of Engineer / Producer Angus Woodhead and Software Designer / Engineer Nathan Isherwood both from Queensland, Australia. Pro Engineers know that the secret to a good mix is cleaning up the lows and highs using high and low pass filters, removing sub rumble / hum / noise and high end hiss etc. Essentially we ‘capture’ the sound / saturation / colour / tone of high end vintage and modern analog hardware, and insert that into practical everyday use plug-ins. Filters in Vintage mode has a capture from a famous 80’s large format mixing console inserted. Vintage mode also has the same slope and frequencies as this famous desk nick named the AC/DC console installed in a local studio.
When it comes to popular music, the standards are quite high. World-class recording engineers track the most talented drummers in the shiniest of studios. Yet today’s top charts all have two things in common: infectious drum grooves and punchy drums, processed to perfection.
ReCoil gives you the authentic sound of real spring reverbs without the hassle, noise or limitations. Spring reverbs have always had a bit of a sketchy reputation in the music world. They are untweakable, noisy, physically delicate and make clanky sounds when you kick your guitar amp. But despite their shortcomings, one thing is for sure: their characteristic boingy sound has cemented their place in history. Love them or hate them, spring reverbs instantly give any instrument an undeniably vintage vibe.
Digital recording is now the standard for professional music production, but many engineers and musicians still long for the days of analog recording. And they do for good reason – Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical. So we modeled two of the most famous tape machines in audio and provide them both along with options like bias, tape speed, tape type, and more in Virtual Tape Machines.
We teamed up with Giacomo Pasquali to create a new experience in the IR Loaders world. After months of relentless work, research, and experiments we are finally ready to present to you HAILSTONE, the first IR loader made for guitar players from head to fingers.
EON is an arpeggiator that gives you unparalleled rhythmic and melodic control Allowing you to shape intricate, beautiful & highly musical phrases easily
