The Bass Hammer plugin, modeled on the Aguilar Tone Hammer*, is engineered for advanced bass tone shaping, featuring Adaptive Gain Sculpting, comprehensive EQ adjustments, and versatile cabinet simulations.
Bass Driver is a 3 band overdrive / amp sim based on the SansAmp Bass Driver DI*, featuring parametric crossovers to heavily sculpt your bass guitar tone and achieve a modern balance and texture.
482 low noise, zero latency6, static and dynamic filter shapes. Steepness between 6 and 96 dB/Oct. Shelving and peaking filters can be static or dynamic. Dynamic filters can compress and expand. Zipper-noise free adjustment of gain, frequency, and Q. Audition mode to isolate affected frequency range.
Polestar – XL1, 2CD 73:05+72:40 – Instruments, – loops, fills, fx – techno * alternative * familiar – all-in-one for starters
Dive into the magic of “Card Game 2” your go-to sound library for crafting immersive game worlds. Imagine the thrill of epic battles and the strategic depth of magical card games, all enhanced with over 800 meticulously designed sound effects. This collection covers everything from the crackle of Fire Sigils to the subtle whispers of ancient spells, each effect available in multiple variations to keep your game’s audio fresh and engaging. With organized categories like user interface sounds, card movements, gameplay actions, and magical spells, you’ll find exactly what you need without the hassle. Designed for card games, RPGs, and fantasy adventures, “Card Game 2” is packed with sounds that are ready to drop into your project, making it easy for both seasoned sound designers and newcomers to create a captivating audio experience. Inside you’ll get to explore relatable and charming sounds in fantasy card game style like user interface, HUD, transitions, lobby sounds, card movements, gameplay actions, spells, magic, alerts, achievements, shuffles, timers and character/card abilities. Each sound has been carefully crafted to enhance the gaming experience, whether you’re working on card games, RPGs or fantasy adventures. Each sound includes three to five variation files per set: soundsets are a collection of similar or related sounds that are designed to add variety and realism to the soundscape of the game. By using different variations of similar sounds, game sound designers can prevent the repetition of the same sound over and over, which can quickly become boring and detract from the player’s immersion.
Join production guru Larry Holcombe for a fun, informative video course on FabFilter’s Pro-Q 4. You’ll learn how to use this amazing EQ in multiple scenarios, including mixing, mastering, and other utility applications. Pro-Q 4 is an incredibly capable EQ, and after this FabFilter course, you’ll find more ways to use it effectively with confidence and ease, starting with your very next production. These FabFilter Pro-Q 4 videos are designed for users with a basic familiarity of FabFilter Pro-Q 4. Larry kicks off the course by showing you how to set initial filtering for multiple sounds using only one instance of Pro-Q 4 – handy for conserving CPU resources among other things. Then you’ll see how to create a wider, more expansive-sounding master by using Pro-Q 4’s mid/side EQ.
Join Logic Pro expert Eli Krantzberg on a journey through all the amazing features in Logic Pro 11! Apple really went all out in this new version, and you’ll learn about everything that’s new and/or improved. From all the new instruments and plug-ins to the AI-driven assistant features, Eli leaves no stone unturned, and you’ll be up to speed and taking full advantage of these improvements in no time! These Logic Pro 11 videos are designed for new Logic Pro 11 users. Eli begins with a brief overview of the main updates and additions in Logic Pro 11, so you’ll know what’s to come, and then explores the new Session Players AI-based feature. You’ll learn how it allows you to quickly and easily generate realistic-sounding performances for drums, bass, and piano in numerous genres, along with the many ways in which you can customize the parts via the Session Player Editor. Next, Eli covers each of the new instruments—Studio Bass and Studio Piano – in detail, highlighting the different models, microphone combinations, and all the other tweakable parameters available that will let you dial in the exact sound and feel you need. This is followed by a look at the various ways of getting chords into the Chord Track, as well as the myriad options for sound and part customization within the Session Player Editor for Studio Bass and studio piano.
