Future Beats & Soul Production Techniques

Team DECiBEL | 04 Feb 2021 | 944.7MB

UK Producer El. Train has been making big waves in the Future Beats scene in recent years, with his fusion of Hip Hop, Soul, RnB and Trap landing him releases on labels like Kitsune, Darker than Wax and Jakarta Records. On this course, he shows how to build up a quality arrangement from scratch using samples from his Loopmasters pack and working mainly with factory instruments and effects in Logic Pro, with all techniques being easily transferrable over to other DAWs. Starting with the beats, El. Train layers up various percussion sounds, sequenced using Maschine, to get his initial groove worked out. He then lays down the main chords hook, which is complemented by a subby bassline, to form the primary melodic elements of the track. A syncopated kick and snare break is then woven with the melodies to finish off the groove.

Module 1 – Working with Percussion
El. Train uses pattern sequencing within Maschine and oneshot editing on an audio track to build up 2 percussion layers, which form the initial basis for the groove.

Module 2 – Making the Chords Hook
A chords riff is played in and then edited and layered to add extra depth and character.

Module 3 – Adding Arp & Strings
An arpeggiated melody and sustained strings are added to the groove, working with Logic’s factory sampler.

Module 4 – Building the Drums
Oneshots are edited to form the beat, with kicks, snares and clap layers all working together. Some group processing is then applied to the percussion.

Module 5 – Creating the Bassline
El. Train records in the bassline, triggering a bass oneshot inside Logic’s sampler. The MIDI is then edited and some audio effects processing and layering applied.

Module 6 – Working with an Acappella
Serato Sample is used to chop up an acappella, after which the chops are sequenced into the groove and processing applied.

Module 7 – Arranging the Parts
The groove is expanded out to form an intro and 2 drops, separated by a bridge section. Automation and extra synth layers are then added.

Module 8 – Adding FX and Percussion
Realworld elements are added to the intro to fill it out, whilst extra drums are used for additional rhythms in the bridge.

Module 9 – Building an Outro
A new melody is added for to create a classic outro, complete with an old school fadeout.

Module 10 – Editing the Bassline
Some slight tweaks to the bassline, complete with tips for avoiding potential tuning issues.

Module 11 – Chord Hook Explained
A brief explanation of the chords used in the track and how chord inversions are created.

Module 12 – Playthrough & Course Outro
El. Train signs off and plays the completed arrangement.

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Future Beats And Soul Production Techniques TUTORiAL-DECiBEL
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