ENSONiQ VFX-SD Set WAV

P2P |June 2014 | 216.85 MB

Synthesizer Ensoniq VFX was originally released as a synthesizer performing type in 1989. Shortly thereafter, followed by release of the model VFX-SD, including some updated waveforms (drum waves), a 24-track sequencer and floppy drive. Both models are equipped with a processor Ensoniq Signal Processing (ESP), allowing the 24-bit processing spectacular. VFX-SD also included two AUX outputs that are included in the total four outputs – for greater management flexibility. The initial model was a 21-note polyphony, and in the latest VFX-SD (I / II) and SD-1 – with 32 votes. was a lot of features that made this line synthesizer to be popular. Some of them are: Sound synthesizer directly. features live performance. Multilateralism program sequencer (VFX-SD’s).

Xoxos Skunk VSTi v1.00 WiN

Team: peace-out | 02.14.2009 | 3.82 MB

Skunk is a four part algorithmic percussion sequencer. It joins short user input sequences together using probability values to determine which sequence will be next. There are eight gate sequences of up to eight steps for four parts. Pattern selection can be made both manually and automatically. The modulation section consists of four host-syncable LFOs, a modulation envelope and step ‘division’ multi-trigger function.

Xoxos Populus Dtm Magazine Edition VSTi

Team: peace-out | Date: 02.09.2009 | 2.40 MB

Populus generates MIDI sequences using an algorithm modeled on biological behaviour. The measure is treated as a ‘year’ and note events are determined by parameters describing the ‘life cycle’ of each note. The sequences are usually patterned, yet rarely repeat exactly, creating motif-like qualities. Populus was created for Computer Music Magazine and is included with all xoxos VST license purchases.

Syncword TabChord v1.0.3.7 WiN

TEAM ASSiGN | 24 APRiL 2011 | 4.63 MB

Chord TAB, the scale / Kododaiaguramu / screen has a palette of three codes. Each overview and introduces the sound reproduction and printing.

Afterhours Tech House WAV

Team AUDIOSTRiKE | 18 June 2014 | 234 MB

Dark, down reaching underground, Afterhours Tech House, featuring rumbling sub basslines, dark thick synths, twisted vocal cuts, heavy grooves, & fresh sounding modern analog percussion. Afterhours Tech House is a forward-thinking modern fusion of cutting-edge techno & tech house, full-on floor-freakin’ tech monsters. Afterhours Tech House packs in 500+MB of deep and dark music/synth loops, big sub synth & percussive basslines, driving teched-up and dubby beats, analog kick-free tops and twisted percussive loops, processed vox plus FX and a Bonus of  Analog Kicks.

Deep Techno Sessions MULTiFORMAT

Team DYNAMiCS | Dec 2010 | 1.20 GB

FORMAT..: EXS24/HALion/KONTAKT/NNXT/REX2/RMX/SFZ/WAV

Techno inspired collection of cutting edge samples and soundscapes from one of the godfathers of Dance Music and its many twisted forms – Deep Techno Sessions is a collection of atmospheres, ambient loops, chord progressions and Progressive Drum samples created by Gerald himself for future producers who mix Detroit, Berlin and Retro-Progressive influences to shape the sounds of tomorrow. Since the 80’s, Manchester UK native, A GUY CALLED GERALD, born Gerald Simpson, has proven to be among the most innovative modern music figures. His influence is international and has spawned new genres of music culture. From his early experimentation with Techno and Acid House to his groundbreaking contributions to Drum ‘n’ Bass music, AGCG’s music has evolved regardless of his individual successes in each of those genres.

DVerberate v1.5.3 AU VST WiN MAC

Team R2R | June 18 2014 | WiN 5.2 MB | OSX 4.4 MB

The balance between direct sound and reverberation is essential for the acoustic quality of audio recordings. DVerberate is plug-in that can attenuate or boost the reverberation that is already present in recorded material.  The novel real-time algorithm works equally well with mono as with stereo recordings and splits the incoming audio into an estimation of the direct sound and the reverberated sound which can then be recombined freely. The improvement process can be monitored visually using the spectral representations of the input and output signal as well as of the estimated reverberation.