Nectar 2 Explained TUTORiAL

SYNTHiC4TE | June 25 2014 | 328 MB

Studio wiz Scottie D. returns with another power-packed series, this time covering the ins and outs as well as creative uses for iZ’s amazing Nectar 2 plug-in. See how you can sweeten your vocals and other sounds with this “All-In One” effects suite! Scottie begins with a detailed Introduction, getting you up to speed on what this plug-in is and what it can do. Next, you get a “Quick Start” video so you can dive right in and start using it on your productions, followed by a video on the Main Overview Panel so you can start “Tweaking” it most common parameters. Now it’s time to breakdown all the Modules included with Nectar 2. Scottie reveals, explains and demonstrates them all, including the EQ, Compressor, Limiter & De-Esser, Gate, Saturation, Delay, Reverb, and Assorted FX Modules as well as using them in the Mix with Automation. Wrapping up the series, Scottie gets his tuning fork out and shows you how to use the wonderful Pitch Correction tools in Nectar 2, including how to Harmonize your Lead Vocal and Control the Amount of “Breaths” that are heard in the performance!

Neuro DnB Massive Presets

Team AUDIOSTRiKE | 24 June 2014 | 4.46 MB

‘Neuro DnB Massive Presets’  is a collection of 82 presets for the infamous NI Massive synth. Dedicated to the dark and technical sounds of Neuro for your latest DnB Neurofunk or NeuroHop tune, they’d even fit in some heavier and darker Dubstep projects. Inspired by Noisia, Phace and Mefjus, Ed Rush and Optical, Audio and other cutting-edge producers. These presets are tailor-made to give any Neuro track a fat and modern sound. Thick and evil reeses, tortured morphing bass sounds, eerie pads, tight percussion and rich stab presets are all included to make this a perfect pack of sounds for anyone making Neuro tracks. All presets are made with loads of movement and grit to them so you don’t need to get bogged down resampling bass sounds to get that morphing Neuro sound we all know and love. All presets have eight macros set up to make tweaking and advanced modulation a breeze so you know they’ll slot instantly into your tracks and are made so you can twist the sounds up instantly, and all presets are tagged precisely, so they will fit perfectly in your library. In detail the pack contains 29 Bass presets, five Effects presets, 12 Pad presets, four Percussive presets, 15 Reese presets, four Sequence presets, eight Stab presets and five Bass presets.

Ultimate House Sax Vol.2 WAV

Team AUDIOSTRiKE | 24 June 2014 | 498 MB

‘Ultimate House Sax Vol 2’  is a great collection of fresh new samples dedicated to Deep House, Funky House, Nu Jazz and Chillout music. This collection comes in at 629 MB and contains eight saxophone kits with 314 sax loops. You will find dry loops alongside processed and “ready to use” loops. All parts were recorded in a professional studio with a perfect Sennheiser MKH 416 microphone, plus Vacuum Tube preamp Avalon VT 747 and Class-A Program EQ. In total all this equipment gives such warmth and perfect quality of sound! If you’re looking for a truly authentic House sax sample pack for Deep House, Funky House, Chillout music, Afro, Latin House, Nu Jazz, this is the one.

Vocal Techniques TUTORiAL PROPER

SYNTHiC4TE | June 25 2014 | 579 MB

PROPER: include the Resource Files

The course comes to close with a performer’s look at microphone techniques and how to incorporate “looping” devices so that you can create and improvise a complete vocal orchestra all by yourself!

Underground House Toolkit MULTiFORMAT

Team AUDIOSTRiKE | 24 June 2014 | 1.32 GB

‘Underground House Toolkit’ is a full collection of banging beats, warping basses, and twisting synths geared up for House and Garage producers looking for the essential sounds to create the next Underground hit. The sounds inside take inspiration from artists such as Gorgon City, Disclosure, Route 94, Bontan, Simion, Carnao Beats and many others. Adding the loops and presets enclosed this pack to your collection is a sure-fire way to give you the signature sounds of the Underground House movement.In the pack expect to find an unbelievable collection of rocking beats, deep pulsing basslines, accented synths, hard-hitting one-shot samples and groovy percussion loops.  ‘Underground House Toolkit’ is an indispensable assortment of sounds for producers looking for a powerful arsenal of modernised samples selected to give an authentic Bass House and Garage sound for the next generation of House music stars. In detail, producers should expect to find here a collection of over 2 GB of content including five complete Construction Kits, 40 Bass Loops, 144 Drum and Percussion Loops, 34 Synth Loops, 14 FX Loops, 218 One-Shot Drum and FX Sounds, 53 MIDI Loops and 24 Sampler Presets.

Arp Adventures WAV

Quakeaudio | 25-06-2014 | 1.6 GB

‘Arp Adventures’ contains loops inspired by John Carpenter, Jean Michel Jarre, Yellow Magic Orchestra, Giorgio Moroder, Kraftwerk, and more. This pack features over 1000 arp and sequencer loops for producing Cinematic and Electronic Music. Each arpeggiator loop was recorded at 125 BPM and is key-labelled. These sounds are perfect for TV cues, movie scores or any kind of Electronic Music, such as Dance, House and Tech styles. Suitable for Ambient, Cinematic, Movie Scoring, Soundtracks, Electronic Music etc.

SAWER v.1.1.5 AU VST VSTi STANDALONE MAC

Team UNION | June 24 2014 | 12 MB

Sawer is a vintage modelling synthesizer, that cuts through the mix to deliver precisely articulated and punchy sounds.
Sawer pays homage to the envelopes and filters of a rare 1980’s Soviet analog synthesizer, Polivoks. Maxx has devoted meticulous attention to the detail of Sawer’s filter and envelope designs, ensuring Sawer delivers a unique sonic character reminiscent of the Polivoks hardware. But Polivoks, like all analog synthesizers, wasn’t without its problems. Keeping the oscillators stable and in tune has been likened to ‘moving a pile of live frogs, by wheelbarrow’, impossible! As Sawer is algorithmic, this solves the problems of tuning and stability, however, in the same way electrical component instability makes analog gear unique (if not cranky), Sawer benefits from the 21st century equivalent, a coding error.While programming the SAW oscillator, Maxx accidentally set some incorrect variables and immediately the sound gained bass, acquired some light but pleasing noise on the attack and an overall richer sonic spectra. Maxx realized this was no mistake but a discovery and built on this, adding some frequency modulation to give it a touch of analog authenticity and so ‘Sawer’ was born.