Get high-end studio console sound in the comfort of your own virtual effects rack. A cohesive toolset for shaping and ‘exciting’ your sound.
Supercharger GT is a compressor inspired by the rich, tube-driven sound of a boutique hardware unit. A feature-rich follow-up to the Supercharger compressor released in December 2013, Supercharger GT goes beyond modern tube compression by adding dedicated Saturation and Character modes and additional controls for complete sonic fine-tuning. Supercharger GT was designed for simple yet comprehensive sound shaping. Producers can quickly dial in a wide range of compression effects using a single ‘Compress’ knob. The effect’s automatic make-up gain allows them to stay focused on the sound of the effect without having to compensate for the drop in volume compression can sometimes cause. Pre-set Attack and Release settings provide a starting point for setting Supercharger GT’s response to incoming signals – producers can start with Punch, Gentle, and Slam modes. Dedicated Attack and Release controls allow an additional degree of fine-tuning.
ReCoil gives you the authentic sound of real spring reverbs without the hassle, noise or limitations. Spring reverbs have always had a bit of a sketchy reputation in the music world. They are untweakable, noisy, physically delicate and make clanky sounds when you kick your guitar amp. But despite their shortcomings, one thing is for sure: their characteristic boingy sound has cemented their place in history. Love them or hate them, spring reverbs instantly give any instrument an undeniably vintage vibe.
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
The first release in The Choco•Matic Series features the sound of a one-of-a-kind wonder: a custom shop ESP 8-string baritone guitar made for Gianluca Ferro, the featured player on this release. Two of the most powerful and balanced active EMG pickups were paired with boutique amps, effects and custom re-amping to achieve a thunderous guitar tone, tailored to cut its way through busy mixes in any genre: cinematic, orchestral and modern rock music in particular.
Sunken: Pain is a collection of 18 High Quality Loops and Samples Inspired by NBA Youngboy, Polo G, Pooh Shiesty, Gunna, Lil Tecca, Lil Durk and so many others. This kit is perfect for producers of all experience levels who are looking to work with something different. It features 15 Total Wav. Files Including Guitars, Synths, Keys, Vox and others. Samples are tracked out at the end so you can cut the stems out at will. Every Loop in this kit was created at the highest quality. Just drag and drop each WAV file into your DAW for an effortless beat making experience. Pick the sounds you like and hold onto the other sounds for later.
Interface: Minimalistic, as simple as it can be, the fewer pages and tabs it has the better – that was our focus when we were designing the interface. Tapes interface is divided into two pages, first page contains only essential controls – volume, sample start, macro controls – just so you could start shaping the sound right away without worrying about the details. In the end it’s the first thing that you’ll see after loading most of the presets, and it’s a nice way to quickly find a sound you’re looking for or to shape further. Tapes.01 focuses on synth sounds and sound synthesis in general. The sound sources were created using various hardware and software synthesizers and effects – from digital FM and physical modelling synths to both analog and digital eurorack modules and synths. Everything was recorded either on tape, cassette, microcassette, or cassette tape loops, so every sound already have a nice texture before you start messing with it (also because we just like to record things to tape).
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