Waves Sauce Bundle
P2P | 09 May 2022 | 5.5 MB
(Mixing & Mastering Presets Pack For WAVES 10/11)
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LIMINAL: CHAMBER STRING TEXTURES VOLUME 1, a library of intimately recorded Violin, Viola and Cello samples – playable using the full version of Kontakt 6.6.1+. The library’s articulations are aleatoric, long and evolving, with the performer imparting character and movement into each sample. Recorded closely and dry, the sounds are great for adding unpredictable nuance, detail and creative imperfection. This library is not intended for fast passages or soaring melodies. It is especially suited as a collection of naturalistic pads, perfect for underscoring or ethereal soundscapes. The user-interface allows articulations to be layered, mixed and reversed. LFO controls can be enabled, allowing your DAW’s tempo to dictate the modulation of an individual layer’s volume. This opens the door for tempo-synced swells and unleashes even more creative possibilities for evolving texture.
Tragedies consist of 5 trap construction kits. From hard emotional pianos, melodic saxophones, heartfelt vocals and trap drums, this kit packs it all to create your next hit. Tragedies was inspired by major artists of today such as Stunna Gambino, Lil Tjay, Roddy Ricch, Morray, Nba Youngboy, Dj Mustard, Lil Durk, The Kid Laroi, Rod Wave, and many more. Each beat heard in this demo is included inside this kit. Exported in its highest quality, easy drag and drop get straight to making hits!
Part two of the Modular Chaos Engine and I’m very excited to introduce my first fully electronic instrument. It’s probably fairly obvious by the blueness and the title that I’ve exploited the strange and rather wonderful qualities of Dave Smiths’ criminally underated analog/digital masterpiece the Evolver. I LOVE this underdog synth, mainly because it has so much wonky personality and a wonderful, slightly mad architecture that can produce some really great sounds….usually of a highly boisterous nature. So, for this Chaos Engine there are up to 127 different sounds/articulations per key which are very loosely mapped across the keys from from low kick drum type sounds through snappy snare type sounds up to more clicky, rattly hats and then the mildly melodic sounds up near the top end of the key range.
Comrades! For too long imperialist pigs of West have luxuriated in capitalist drum machines, built on blood of oppression and stained with sweat of poverty, while laughing up sleeves at inferior Soviet Socialist drum machines. No longer! Loyal Soviet scientists working in Party laboratories now reveal to you magnificent Lel PSR, glorious triumph of superior Soviet engineering. Unlike decadent so-called “doctors rhythm” and other Western indulgences, Lel is built like a tank. So it should be! It is built in same factory as tank! Lel contains 8-bit samples of real drums. Not for Soviet citizens poor-quality analogue imitations of drums. Real drums only! And 8-bit! Capitalist pigs of the West, look upon Lel and weep into your podgy, girlish hands! Not only Lel has 8-bit drum sounds, but also 16 onboard preset rhythms. Party leaders told scientists at Lel fabrication plant to gather 16 best rhythms from all of Mother Russia and our United Soviet Socialist Allies. Result is 16 awe-inspiring rhythms from both decadent West (Rock, Heavy Metal, Reggae!) and also from Motherland herself: authentic Russian rhythms for sword-dance, vodka festival, Red Army Missile Corps march-past and more. You look for American drum machine with Kazachok rhythm or Lezginka rhythm.
Pluggotic Synth Bundle, synths with a retro digital flavour for Kontakt 4.2.3 or newer versions.
Pluggotic ToyBoy is a rompler based on four sampled toy-keyboards with distinct sonics and soundsets. 64 PCM instruments can be played, and edited through two twin layers with multimode filtering, envelopes, retriggered lfos and fxs. ToyBoy features several pianos, brasses, strings and keyboards, tuned and detuned synths, percussives like celesta, kalimba, vibes, bells, music boxes, xilophones as well as choir, hawaiian guitar, telephone tones, distorted guitar and pizzicato strings. All instruments can be played raw, edited, filtered, detuned, enhanced with five effects, layered to build different sounds. Ancient pad-machines, percussive arpeggios, chemical nonsense, glossy keyboards, degraded polysynths, pure plastic.