‘Back To The Old School: Hip Hop 6’ has all the sounds and materials needed to create Old School style Hip Hop records. If you’re looking for that Old School sound with a record feel that is Royalty Free, this is the product that you need. These sounds are inspired by Mobb Deep, DJ Premier, RZA, Marly Mal, Havoc, The Alchemist, Capone N Noreaga, NAS, Jay Z and more.
Inspired by virtuoso violinists of the past, Signor Paganini is the ultimate Solo Violin spiccato/staccato library. Designed by Emmy Award-Winning composer, Garth Neustadter, Signor Paganini defines a new level of realism in virtual solo string instruments. Signor Paganini is the only virtual solo violin that can convincingly execute extremely fast playing with ease, utilizing 13 velocity layers. Unlike any other virtual solo string instrument, the Kontakt interface allows users to apply EQ controls to each individual string, creating unsurpassed abilities for tonal and timbral shaping. Ideal for film and classical applications, Signor Paganini Solo Violin was patterned after one of the most famous Stradivari violins created: the 1727 “Paganini” Strad. Virtuoso violinist…
We are delighted to present “Demolition” a compact collection features 35 designed sound effects that will help you to design big destruction and demolition scenarios for your projects. Ranging from large concrete building demolitions to small wooden cabin crashes and earthquake destructions to destructive wrecking ball impacts and smashes, long stress sounds of heavy metal pieces of empty buildings. All sounds are precisely designed in different sizes to perfectly fit your project, just simply drag’n drop it into your scene and make it sound big. Every sound in the folder recorded at 24bit / 192kHz, designed and delivered in industry-standard 24bit / 96kHz to ensure the highest quality for today’s cinematic production needs. “Demolition” is perfectly suited to post production, game audio, movies, documentaries, advertising, or any kind of cinematic projects requiring high definition sound effects.
‘Submersive Minimal 02’ is a first-class collection of 20 DeepTech, Minimal and Techno Construction Kits, from deeper and melodic parts, to more techy and dark, you can find any moods in this one. Submersive Minimal 02 has been designed exactly for Dance producers and remixers demands. The purpose is to make the work as easy as possible, especially during the creative stages, using the different rhythm fluctuation and patterns, you’ll find inside the twenty Construction Kits. With inspiration coming from the likes of Dennis Cruz, Stacy Pullen as well as from Romanian minimal sound like Raresh, Submersive Minimal 02 contains 370 DeepTech sounds between 320 WAV Loops and 50 chugging Sound Effects. Remix them, mash them up and make them your own. Weight in at 1,25 GB unzipped, all Loops are labelled with tempo info and filed into clearly structured folders. For full flexibility, Dry and Wet loops versions are included to get what you need. Add strength and vitality into your next Deep Tech, Minimal and Techno masterpiece.
Consisting of chart-topping Classic Beats, our genre-spanning Drumatic Beats, the über-hip Indie Rock Drums, the funktastic Funk Drums, the lengthy Long Loops, the super shufflin’ Blue Drums, the essential Fills Unlimited, the revolutionary Linear Drums Vol 1 and Vol 2 and the angular, yet highly musical Odd Meter Drums. This entire collection is compatible with every DAW including Ableton Live, Bitwig, Reason, GarageBand, Pro Tools, Logic, Cubase and any other program that utilizes MIDI files.
Inspired by Dilla’s masterpiece, Donut Drums feels like sampling drum loops directly from the master tapes. Studio drummer Dylan Wissing (Kanye, Drake, Eminem, Jay Z) has carefully recreated the sound and vibe of the original vinyl, royalty-free and tightly edited. Volume 1 covers Dilla’s album track, Volume 2 his 1974 source album. With drum breaks, percussion and one shots, it’s the perfect raw material to create your own Hip Hop masterpiece!
Hello URM members, I’m Jacob Hansen, a producer and mix engineer from Denmark. You may be familiar with my work with bands such as Epica, Amaranthe, The Black Dahlia Murder, Volbeat, and Fleshgod Apocalypse. In this Fast Track I’ll be going over my approach to mixing orchestration in the context of metal. The key to this approach is in two simple things: starting with the right arrangement, and preserving as much of the orchestration’s sonic character as possible (rather than aggressively high passing it as many people do). Orchestral parts can add a lot of dynamics, character and interest to metal songs, but because most of us are unfamiliar with how to approach them, they often end up treated as an afterthought in the mix. I hope to change that with this Fast Track: by the time you are finished with it, you’ll have a comprehensive skillset for mixing all the typical components of orchestration in metal.
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Your Local Musician | Music Samples
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