FX Clocks, Watches & Timers
WAV | 21 Nov 2020 | 48 MB
Cinematic FX / 49 One Shots
A collection of sounds from both analog and digital time telling devices.
Viewed 8340 By Music Producers & DJ´s.
A collection of sounds from both analog and digital time telling devices.
A pack of effects with modulation creating a chopper type noise. Perfect for both post-production and music creation.
As a professional in post and music production, you deal with impossible deadlines. Opening another application and dialing in obscure algorithm parameters is just not an option. Meet the ERA Bundle Pro: Multi-patented next-generation audio repair that offers both fast and high-quality processing. Your workflow deserves an upgrade
On this sample CD find 7 sets of the most famous sounds from the legendary M400 and additional one set of custom designed really mad FX sounds. Because the M400 is a monophonic instrument this Sample CD is organized in that way, that you hear allways two samples at the same time, one on the left channel and the other on the right, with the same IDs for the same note. At the beginning of each new set you hear a short demo to give an impression how it will sound when you have finished (for the demo I used these samples, not the original!). The M400 has 35 keys, each with it’s own tape recorded. On this CD one complete set consists also of 35 mono samples. The single sounds have a max. lenght of 9s. The range for every set is G1 – F4. By changing the channels you choose the sounds you are going record. You can use a denoiser for sampling, but this will destroy the original ‘dirty’ sound. Because of age and tape quality slight pitch alterations or short dropouts may occur in some samples. Although I think this makes the charme of this instrument, you should take the neighbour sample and tune it, if you want to have a more ‘perfect’ set. To get a realistic sound of the M400, it is more important to have as many samples as possible than to have less but longer samples.
Style: Electro | Related Styles: Electronica / EDM , House , Instrument Loops , and Dubstep. ‘Ultimate Nasty Bass’ is dedicated to hard and dirty bass loops and single one-shot sounds for edgy Underground Dance styles such as Electro, House, Techno, Breaks, and Dubstep. Rattle speaker cones everywhere with sub-sonic rumbles and distorted saw waves. These upfront, bottom-end bad boys demand attention and will transform any production in need of some low-end attitude! With everything from Dirty Tech and Techno sequences, Dubstep wobbles and full-on distorted terrors to bleepy, resonant House tones and Electro saw bass leads, this pack is a must-have for any true bass connoisseur. Meticulously sampled and produced using a collection of analogue and digital armoury, the goal was to create flexible but dominant bass sounds and loops that push low-end frequencies to new levels. Precision engineered to include only necessary frequencies, these sounds are easy to drop into your tracks but still have enough character to drive the rhythm track at full power.
The Rock Solid EZX features a collection of modern drums perfectly suited for anything from classic rock to modern metal. It was recorded at the renowned Warehouse Studio in Vancouver, Canada by one of the most prolific engineers of the last two decades, Randy Staub. Randy has worked with A-list clients back to back for the past plus 20 years, mixed groundbreaking works like Metallica’s “Black Album”, Mötley Crüe’s “Dr Feelgood” and honed the sound for artists like Nickelback, Bon Jovi and Alice in Chains. Randy is beyond just an award-winning mix engineer, he’s helped define the sound of a generation.
This collection includes 475 percussion & bass samples from ‘engineer of the year’ (six times!) Bob Clearmountain. Includes: bongos, congas, timbales, cans, cowbells, tambourines, triangles, shakers, maracas, cabasas, rattles, belltrees, chimes, rainsticks, dafs, castanets, tablas, tubes, claves, darbukas, gatos, repeques, bottles, quicas, tamboras, sleigh bells etc. (Stereo & QSOUND versions) Plus Fender Precision and Musicman bass guitars, picked and fingered, amped and direct.