This Strat includes higher-end Noisless pickups, abalone dot inlays, inlaid headstock logo and aged plastic parts. Starting in 2004, the Deluxe Strat also featured Fender’s S-1 switch system.
Silver Screen Toolkit is a Kontakt library for all kinds of cinematic music, including film and game soundtracks, trailer cues and production tracks. Silver Screen Toolkit includes a wide range of sound tools – Everything you need. From booms, hits and whooshes to pulses and sound design instruments, every sample is original and has its unique sonic characteristics. The library is not only cutting-edge in its sound – it brings you instant emotions and inspiration. Silver Screen Toolkit features a powerful and flexible user interface. The core idea behind it is the balance between functionality and convenience. This engine presents you all the sounds in one instrument, ready for use. All necessary functions are there – attack and release, speed, offset and gate controls. The interface also includes effects such as filters, distortion, lo-fi, delay, reverb and post-filters.
Pro Tools is considered be the gold standard for recording and mixing audio. Learn how to use every Pro Tools’ mixing and automation feature in this 2-hour + course by audio expert Joe Albano. Ask any audio engineer what is the industry standard for recording and mixing audio and the answer will most likely be “Pro Tools”. In fact, knowing Pro Tools is pretty much a requirement for working in any professional studio. Whether you’re producing your own songs at home or you’re mixing a full orchestra in a big studio, you need to watch this course to get your Pro Tools mixing skills up to speed! The course starts with a brief history of mixing where you learn how the art evolved from yesterday’s simple mono and stereo recordings to today’s complex multitrack sessions. Then, Joe covers Pro Tools’ mixer, channel strips, busses and auxes in great detail, while demystifying the important concept of signal flow.
Equipped with just an MPC and a box of vinyl, Jay Dee (aka J Dilla) inspired generation after generation of beatmakers to chop up drums, dig crates for samples, and create entire works in the comfort of their bedrooms all the way to the studio. Alongside his group Slum Village, Jay Dee honed his craft and found his voice within the underground hip hop community in Detroit. Deeply embedded in the roots of jazz, soul, R&B, Jay Dee looked to the past for inspiration and thus created a path for the future. His pluralistic, genre-bending style not only pushed music forward, it inspired his peers and the generations to come to define their own sound. Pay homage to his years of crate digging and dig through this collection of his original sounds.
This 2 DVD collection offers more than 7 GB of data. Recorded with high frequency response microphones going up to 50 kHz, these source recordings are not only an extensive high quality animal library but also the ideal source for heavy pitching, designing and effect processing. You can use this library as a standalone product or as the perfect addition to the “Creatures – Construction Kit” and “Wildcats – Tigers & Lions”.
Welcome to The Drinking Piano by Soundiron! This fat-bottomed monster upright has a classic beer hall sound, evoking images of the roaring 20s and pre-war 30s. It’s got all of the brutal wear and tear that you’d expect from a hundred-year-old instrument that has been played hard and put away wet, night after night. With a fat, wide and close sound, it puts you right on the bench with the yellow, cracked ivories under your fingers. It was recorded right up against the strings in a small, slightly reflective hall, giving it all the presence of a dry studio recording with just a hint of live ambiance.
CINEMATRIX delivers truly unique and inspiring sounds right out of the box. It is a state-of-the-art cinematic loop module for KONTAKT containing 350 different kits that can be played in tandem across four categories (Bass, Melody, Ambience and Groove). These kits are built using the included 1.300 (unencrypted) 24-bit WAV files. All loops can be played polyphonically timestretched within a range of two octaves (24 semitones). Each part has it´s own color-coded range on the keyboard. You can alternatively play the loops sliced using the “SLICE” button in the sequencer pages.
