ARC System 2.5.0 WiN MAC

Team R2R | 15 Nov 2017 | WIN: 39.6 MB | OSX: 25.3 MB

AU AAX VST RTAS

ARC System 2 (Advanced Room Correction) is the sequel of the first and only acoustic correction system that combines a measurement microphone, measurement software AND a correction plug-in to improve the sound reliability and acoustics of your studio in an elegant, low-cost portable solution.

Studiolive AI Explained TUTORiAL

TEAM MATRiX | 18.02.2014 | 917.82 MB

PreSonus has done it again with their incredible line of digital mixers! StudioLive AI is the cutting edge of digital mixer technology, and William Edstrom Jr. covers them in full detail, inside and out. If you use these powerhouse mixers, learn to get the most from them as well as an enhanced workflow for increased creativity and speed. In this series, William shows you how to use your StudioLive AI as a stand-alone mixer, mixing for the audience and the stage. To begin, William introduces you to the StudioLive AI mixer and what the series will cover. Then the important basics are shown such as powering up, zero’ing the board, and getting signal from input to output.

Flugelhorn ELASTiK

AUDIOSTRiKE | 24/02/2015 | 528 MB

If you need to add the cool sophisticated sound of mellow brass to your music production, Flugelhorn will hit that mood in an instant. Featuring the virtuoso playing of Gary Winters, this library brings you the smooth tones of the solo Flugelhorn. Warmer, darker and less strident than the trumpet, this instrument is characteristic of classic jazz from the 1930s to the present day. Beautiful virtuoso performances With over 900 MB of material spread across 700 loops and organized into folders by both tempo and key, the sound of the instrument is presented in an intimate, dry, fashion, ready for you to apply just the right amount of ambience for your production. All licks are available as dry versions, without any E.Q.- , compressor- or reverb effects. Tempos span 70 to 128 bpm and phrases move from the sparse and melancholic through to the frenetic and intense, so you can easily build a complete solo performance to match any musical backing.

DAFT Digital Analog Funk Theory KONTAKT

TEAM MAGNETRiXX | 18 November 2013 | 649 MB

D.A.F.T – Digital Analog Funk Theory: A collection of 18 special construction kits featuring the new retro pop funk styles that are lighting up charts. In the style of Pharell, Daft Punk, Robin Thicke, Breakbot, Bruno Mars, Chris Brown and more! This product is bursting with live bass, keys, synths and grooving guitar over expertly programmed drum grooves to capture the true feel of the masters of this new smash hit style of music.

Soulful Pop ELASTiK SoundBank

Team KRock | September 26 2012 | 1.57 GB

Soulful Pop is a comprehensive and versatile Pop Music library which delivers over 3.8 GB of authentic, high quality Pop arrangements spiced up with a breeze of soul. The 18 song oriented construction kits (including an intro, a main part, two variations and an outro) have a musical spectrum that ranges from slow soulful songs to smooth pop songs up to classy pop rock songs.

Caribbean Flavors ELASTiK

TEAM DYNAMiCS | 2 Oct 2014 | 1.28 GB

Caribbean Flavours from the Nouvelle series is a versatile and very colourful production tool with a pristine sound which is focused on 32 live-recorded Construction Kits from the Caribbean.

Complete Guide to Stereo Width TUTORiAL

P2P | 14 Jan 2016 | 473.98 MB

In this course, Senior Tutor will arm you with all the knowledge you need to tackle stereo mixing. With a comprehensive look at how various Live effects can affect stereo width, as well as a guide on how to construct customisable Ableton Live Effect Racks, this course is a must for any producer looking to create huge, wide sounding mixes. A thorough understanding of the width of different elements in a mix is a crucial skill for any producer wanting to create huge, wide-sounding tracks that will translate onto any sound system. On this course by Producertech Senior Tutor Rob Jones, you’ll be armed you with all the knowledge you need to achieve this, whether through basic panning and application of various effects, more complex adjustment of phase and frequency, or independent processing of mid and side signals, both on individual sounds, return tracks and the master bus.