Aura is a collection of Atmospheric Pads for U-HE Zebra 2 which are full of movement and energy as well as a smaller selection of Sequences and ARPs to finish the collection. All Presets make use of Aftertouch and the Modulation Wheel.
Another tropical Zebra experience. Lush Full-body keyboard sounds with unique transients. Perfect for Indie game score, Ambient, intro Logo sound design (due to sharp and clear sound) and keyboard players. Dont let the small patch count fool you – Macro controls offer vast varieties to explore.
Expand your horizons with FM Variations, a stunning Zebra 2 preset collection featuring over 200 breathtaking sounds! Using advanced FM synthesis, these patches include everything from beautiful soft and glassy tones to gritty modulated basses and leads. Every sound has been carefully prepared with X/Y control for instant inspiration and easy variation.
Imperium contains over 70 patches including even more pads, arpeggiators, FX, Leads and more! This soundset will definitely blow your mind away with its powerful pads and MSEG’s. Keep in mind that many of our presets make use of ModWheel, After Touch and Expression Pedal to spice up the sound!
With 138 quality made presets, Zebra Trance Essentials Volume 1 is the perfect addition to your production library. You’ll find a range of iconic leads and plucks from popular uplifting trance tracks, as well as a collection of rolling basses, warm pads, and psytrance influenced sounds similar to those used by Simon Patterson, Ultimate, Sean Tyas, James Dymond, Sneijder, Simon O’Shine, and many others. While most of our sound sets are geared towards trance, this one stands out among the rest due to how focused it is. Whether you’re looking for the classical trance sounds of the 90’s and early 2000’s, or more modern uplifting sounds, then you’ll find them in this sound set.
Zebra Gravastar: Dark Edition is a collection of 360 sounds for U-he’s Zebra2 and ZebraHZ synthesizers, aimed at cinematic scoring with a dark, organic edge. The bulk of this soundset was originally designed for composer Jason Graves to use for his amazing score for Ubisoft’s Far Cry: Primal. Jason’s brief for the project was hilariously simple: “Imagine synthesizers as played by cavemen.” So, Gravastar focuses on non-traditional synth sounds, inspired by more natural sonic character: wood, glass, rock, dirt, noise, distortion, resonance, light and fire. The soundset is full of deep rhythms, shadowy pulses and ethnic loops, as well as ghostly textures, tectonic bass and luminescent pads. These sounds are alive and breathing; growing and evolving.
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