Proclethya v1.0.9 WiN MAC

Team R2R | 14 November 2022 | WiN: 31.58 MB | MAC: 163.96 MB

..: AUi, VST2i, VST3i, x64 :..

Proclethya is a software synthesizer with analog characteristics. It is developed with three fundamental principles of analog in mind. DRIFT, NOISE and DISTORTION. The synth features dual oscillators with doubling, FM shaper, analog filters, unison per oscillator, SUB & NOISE oscillator, dual mix mode, powerful arpeggiator, EQ, FX and more… Oscillator A has five waveforms to choose from (Sine, Saw, Square, Triangle and Noise). Pulsewidth can be set for the Square and Triangle waveforms. Both oscillator A and B have a second doubling oscillator which can be activated by pushing the “2nd” button. The doubling oscillator can be detuned and the output can be forced to mono which gives a slight combing effect, a great effect when creating pads. The “Drift” knob introduces variations in pitch or drift which was inherent in old vintage hardware. Unison with up to 9 voices with control for detune and spread is per oscillator.

AcidBox v2.1.3 WiN MAC

Team FLARE | 11 November 2022 | WiN: 89 MB | MAC: 113 MB

The AcidBox V2 is a bass line synthesizer, a recreation of the iconic 303 bass line synthesizer from the 80’s with a new interface, which makes it easier to create real-time sequences and tweak them in a live situation. Get your live performances further with ACID BOX, a bass line synthesizer with custom functions, a 16 to 64 steps sequencer, and 6 integrated effects. A simple tool for real-time creation. AcidBox is inspired by works from Techno and House artists like Daft Punk, Aphex Twin or Laurent Garnier, with their use of vintage 80’s synthesizers and influences stemming from the Acid House genre.

KORG MS-20 v2.3.1 WiN

TEAM RET | 16 September 2022 | 13.9 MB

Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.

KORG MonoPoly v2.3.1 WiN

TEAM RET| 16 September 2022 | 18.56 MB

The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.

KORG MDE-X v2.3.1 WiN

Team RET | 16 September 2022 | 5.81 MB

MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors. Equipped with 128 immediately useful and editable effect programs, the MDE-X v1.2 can be used sound design, recording, mixdown sessions – even live performance!

KORG M1 v2.3.2 WiN

Team RET | 16 September 2022 | 76.72 MB

Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.

Lowdown v1.0.6.31 WiN

Team R2R | 15 October 2022 | 16.3MB

.: STANDALONE, VST2i, VST3, AAX, x64 :.

The Lowdown Bass Synthesizer recreates the super-fat, room-rattling sounds of the most legendary dual-oscillator bass pedal synth ever made. Heard on countless prog-rock and new wave tracks in the 70s and 80s, this floor pedal monster comes to the desktop for the very first time. From the dual “constant-beat” oscillators to the girthy ladder filter, DSP wizard Mark Barton (MRB) has modeled every aspect of the original with exceptional accuracy. Get down to the ground with Lowdown!  Outside of a handful of organ-oriented instruments, the original instrument was the first dedicated foot-controlled bass synthesizer, and with its colossal tone, unquestionably the best sounding. It was used by some of the top acts of 70s and 80s, including Rush, Yes, Genesis, U2, and The Police (check out the intro of “Don’t Stand So Close To Me” or Phil Collins’ “I Don’t Care Anymore.”)