The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer.
TRIAD takes the huge possibilities of its single-band predecessor and brings a new level of control to the myriad onboard effects. In a nutshell, TRIAD is a three-band frequency splitter capable of processing the low, mid, and high frequencies with different effect rows. From multi-band compression to frequency dependent reverb, complex distortions to intricate delays, pitch shifting and a variety of modulation based effects, all of this and much is now a breeze to setup and control. Even without adding any of the effects, TRIAD can be used a “flat-sum” frequency splitter with adjustable cutoff points. An awesome looking FFT visualizer displays the signal and allows for precise control over the band amplitudes and cutoffs on the fly. Well-crafted tools like ‘Auto Cutoff’ and ‘Unity Gain’ will keep the frequency distribution balanced between the bands, or even adjust the amplitude ratio without changing the overall volume. Need to hear something more critically? You can easily solo or mute out any of the individual bands with one click.
Fusion Field is a smooth reverb that sits beautifully in a mix. It’s clean, unobtrusive sound has a natural falloff that floats behind, and complements the source material perfectly. Fusion Field is very easy to use, and the main display shows the effects of the dampening and EQ in a plain natural way. The reverberation can be dampened in the upper and lower frequencies, allowing soft sibilance and a graceful, lifting air to the sound. Having very few controls does not hinder Fusion Field’s usefulness. The dial ranges have been sloped to give the best sensitivity in useful regions, and the whole unit can create short snappy rooms, or vast time-suspended spaces, and anything in between.
Meet NIMBUS, a new and improved reverb unit based on the familiar PhoenixVerb but offering better sound, greater flexibility and new capabilities: Better sounding: NIMBUS is based on the core of the hugely popular PhoenixVerb, but we’ve combined honest user feedback with a fertile creative imagination to make it sound even better. No CPU hog: NIMBUS is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer. Easy to use: We know that workflow matters to our users. While NIMBUS is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes. Over 1200 presets and handy new tool-tips: NIMBUS has everything under control to get you started.
The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer. We have spent years searching the globe for the finest hardware effects and studio gear around. This is the fruit of our labor.
Late Replies is a powerful delay and multi effects plug-in that can be indefinitely extended by hosting third party VST, VST3 or AU plug-ins anywhere in the signal path. With its unique topology, the plug-in is a full-featured delay machine with unlimited powers: both the 8 taps pattern module and the two nested feedback loops include plug-in slots that can host built-in effects or third party plug-ins. So it’s not just about delays! The plug-in includes 25 built-in effects to further manipulate the delay lines: modulation effects, EQ and filters, dynamics processors, pitch and frequency shifters, wave shaper…
QUANTUM LEAP SPACES is a 24-bit, true stereo. convolution reverb that sets a new standard by utilizing new impulse recording techniques developed over the past seven years. An arsenal of the best gear that Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, TG (to name a few) have produced over the past 60 years was used to create QUANTUM LEAP SPACES. ATC monitors were positioned in the room/hall to emulate the real world sound projection properties of various instruments. So an impulse taken for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section impulses were taken by firing a series of speakers at an angle towards the ceiling, just like a real section. A fifth speaker with the high end reduced was fired towards the floor to emulate the body of the violins. This same methodology was used to record reverbs for rock instruments in various LA studios. Because of this, the reverbs in QUANTUM LEAP SPACES have a fantastic balance of early reflections and room sound that really draws a dry instrument into the space, rather than the usual “sound plus reverb” result.
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