Manipulator v1.0.1 WiN MAC

Team R2R | Happy New Year | WiN: 9.4 MB | OSX: 8.7 MB

AU/VST/AAX(MODiFiED)/x86/x64

A New Kind of Vocal-Transforming Processor

Through unique granular algorithms, Manipulator can dramatically alter the timbre and pitch of monophonic audio in new and unexplored ways. From subtly imposing pitch and harmonization, to a full-on sonic mangle that will leave you with a totally new sound, Manipulator is as versatile as it is creativity-inducing. Warp and bend your voice into amazing new sounds

Gatekeeper v1.2 WiN MAC

Team R2R | Happy New Year | WiN: 10.7 MB | OSX: 9.8 MB

AU/VST/AAX(MODiFiED)/x86/x64

Fast, Accurate, Flexible… Gatekeeper is the cutting edge of volume modulation. Capable of sample-fast transitions and equipped with a unique variable smoothing algorithm, Gatekeeper allows for drastic, punchy gating and sequencing while keeping the output smooth. Breathe new life into your audio with the most basic, yet impactful way: silence.

POWAIR v1.0.0 WiN

Team R2R | Happy New Year | 6.6 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

POWAIR was designed to be a smarter, more natural sounding compressor. It’s a dual-stage loudness leveler / compressor / limiter powered by a novel, proprietary compression engine which provides greater transparency and control than ever before. The first stage is a K-weighted loudness leveler, perfect for leveling a voice-over or auto-adjusting the level of different pieces of music. In its second compression stage, POWAIR uses an innovative gain detection and reduction engine, capable of fast gain changes with minimal distortion and adaptive response to the source.

VSS3 Native v1.1.0 WiN

Team R2R | Happy New Year | 8.8 MB

PLATFORM : WiN32/64 – VST/VST3/AAX(MODiFiED)

VSS3 is the most professional tool of its kind, the Stereo Source Reverb behind tens of thousands of films, TV shows, albums and unforgettable tracks.

EQ4000 v1.0.0 WiN MAC LiNUX

Team R2R | Happy New Year | WiN: 3.2 MB | OSX: 8.3 MB | LiNUX: 6.1 MB

AU/VST/VST3/AAX*

OverTone DSP has released their new EQ4000 E-Series Console EQ plug-in for Windows, Mac and Linux, based on the E-Series channel EQ processing from one of the best-known British recording consoles. EQ4000 comprises high frequency, high-mid, low-mid and low frequency sections The low and high frequency sections are independently configurable for ‘bell’ or ‘shelf’ modes while the mid sections provide fully parametric equalization with variable gain, frequency and Q. The plug-in emulates both the earlier ‘Brown’ (02) and later ‘Black’ (242) versions of the original 4000 E-Series hardware, as indicated by the low frequency control knob colour, while cross-linking between each mid section and its corresponding low or high frequency shelf / bell filter emulates the characteristic control interaction of the original design. DSP technology accurately models the analogue filter response without requiring CPU intensive oversampling, thereby avoiding additional latency, or other undesirable side-effects while being economical with system resources.

VintageWarmer2 v2.7.3 WiN

Team R2R | Happy New Year | 22.3 MB

WiN32/64 – VST/VST3/AAX(MODiFiED)

VintageWarmer2 is a high-quality digital simulation of an analog-style, a single- or multi-band compressor/limiter. It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. The plug-in processor is highly flexible and can be used for both softknee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers. Careful attention has been paid to Vintage Warmer’s overload characteristics with the processor being capable of generating saturation effects typical of analog tape recorders. Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby assuring professional quality results.

Infinite Pro v1.0.3 VSTi WiN

Team R2R | 01 Jan 2018 | 68.0 MB

At the end of the 70s wavetable synthesis. This was very successful and used by many synthesizer companies in the 80s and 90s. But this technology has its limitations. The main reason is that all sounds are harmonic. In nature this does not happen very often. Many sounds like a piano string have small offsets from the harmonic frequencies. This is even stronger in sounds like bells or percussion.