This is a UK Magazine that that I was able to get here in the U.S. I have a few more issues that I plan on uploading. some pages might be missing because of the way the magazine was printed, and my pro scanner wouldn’t read the color background with the text.
Crank your sound up to X with Apple’s premier recording software and Logic Pro X For Dummies! Apple’s Logic Pro X levels the playing field, making high-quality studio recordings accessible for any musician. It’s a professional-level tool with a user-friendly interface and loads of new features to keep you more organized so you can focus on creating rather than computing. Record live audio and MIDI tracks and edit faster with the new Mixer. Create your own drum kit, or work with the native virtual session drummer. Add flavor to your sound with new Pedalboard stompboxes, and fine-tune it all with Flex Pitch. You’ll let loose with Logic Pro X and let your creativity flow with help from For Dummies. Written by veteran music and audio professional Graham English, Logic Pro X For Dummies jumps right in to using Apple’s high-end recording software so you can focus on doing what you do best—making music. From navigating the user interface to working with real and virtual instruments, recording tracks, editing audio, adding plug-ins, and everything in between, you’ll learn how to turn your musical inspiration into a fully-engineered and mastered demo.
The fundamental knowledge and information that a beginning or intermediate electronic musician needs to understand and play keyboard synthesizers.
Pereira: This is a collection of cheat sheets about eq I collected from various sources, edited in a pdf file. A second pdf (same composition criteria) is more specifically addressed to “how to fight against muddiness”, I think one of the hardest enemies for dumb mixers like me. I know, I know, nothing can substitute experience and good ears , the cheats are also often contradictory, but this can be (and for me it was) a good starting point to work in a proper way, at least about frequencies managing.
Computer Music Specials is a bi-monthly magazine from the creators of Computer Music. Computer Music Specials help you get to grips with wide ranging music topics, including top production techniques, sampling, popular software, sequencers, and tips on how to make it in the music industry. Computer Music Specials surrounds you in musical knowledge and inspiration from all genres, whether you DJ or play guitar and no matter your level, you’ll find invaluable tips to help you create your best music yet. Please note: This digital version of the magazine does not include the covermount items you would find on printed newsstand copies.
YOUR ABLETON LIVE STUDIO will show you step-by-step how to use Ableton Live as the central component of your home-based audio-production studio. What’s more, YOUR ABLETON LIVE STUDIO will help you create a mobile-based studio so you can take your music to the people. You’ll discover what you need to do and buy to create your Ableton Live studio in both scenarios. Once you have your studio’s computer in place, you’ve chosen the version of Live you want, and you’ve decided which audio interface will do your bidding, it’s time to fill in the rest of the essential hardware. You’ll look deeply into what kind of speakers you’ll use to listen to your productions as well as what headphones you should have. You’ll also learn about microphones, MIDI controllers, and the many little things that play a huge role such as cables, adapters, and much more. After your physical studio is set up, this book teaches you how to use Ableton Live to make and record music. Everything is covered, including Live’s interface from top to bottom, MIDI, assembling and launching clips, audio manipulation, editing, and mixing, Live’s built-in devices, automation, creating arrangements, exporting your production, ReWire, Max for Live, and much, much more.
You’ll even learn to set up a mobile studio and how to optimize Live and your computer for
live performance.
An indispensable guide in the day-to-day work of designing sound systems. This accurate, complete, and concise tool is a necessary addition to the library of anyone involved in audio engineering. Sound Systems Engineering is a a comprehensive text useful in the day-to-day work of designing sound systems. It is a practical manual that carefully examines a step-by-step method of accurately predicting such variables as acoustic gain, speech intelligibility, and required electrical input power while plans are still on the drawing board. This approach, described in 19 heavily illustrated, information packed chapters, can save your clients thousands of dollars. Contains a history of audio. Details audio mathematics. Describes audio and acoustic instrumentation.
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