GTO and GTX are a pair of vintage style ‘character’ compressors, designed like their muscle car name-sakes for brute power, pure speed and to make a loud noise. They have everything you’d expect in a thorough-bred compressor, but are tuned for maximum control and ease of use, each with their own unique vintage colouring on top.
GTS & GTA are currently only available in the Vintage colour bundle. GTA is a stripped-down, hot-rodded, limited edition version of GTO, with less features but more flavour. GTS is a souped-up, tricked out version that combines GTO and GTX plus adds a ‘MOJO’ control so you can add even more special sauce or back it off a bit too.
bassbomb is a monophonic bass synthesizer focused on creating a wide range of bass sounds from punchy to chunky via squelchy and fat with a sprinkling of dirt on top. It does everything from dubstep wobble, electro house dirt, funky bounce, breakbeat dirt, hip hop boom, acid squelch and more besides. As well as bass lines it’s also happy banging out kick drums and bass drops, with a pure sine sub osc to really nail that low end. It features custom waveforms, a composite filter and non-linear envelopes to give that old school synth sound, with 2 LFOs and 3 envelopes to really make stuff move around. Unison, oscillator sync, ring modulation and dirt all add to the flavour and a tempo-sync arpeggiator is the “cherry on top”.
Octav8r is a 7-node pitch-shifter that generates 6 differently pitched stereo versions of the audio input added to a ‘dry’ non-shifted signal to generate a richly layered sound. Each node has its own volume envelope and variable state filter plus send controls to vibrato, chorus, delay and reverb effects. The envelopes can be triggered by MIDI, audio gate or looped in sync with the host tempo. The primary idea of Octav8r is to create multiple pitch-shifted layers of the incoming audio. With some twiddling you can get creative with panning to generate separation around the stereo field, use envelopes to bring each node in and out at different times and use chorus, delay and reverb to make each node sit differently in the mix. You can use the tempo-sync envelope trigger to create rhythmic gating or pulsing and the envelope toggles to make only some nodes modulated whilst others stay constant. Most controls have MIDI CC and MIDI learn support, so with some automation or MIDI knob twiddling, you can make the output really move around.
SLiX is a randomising loop slicer, which switches between up to 4 loops and can shuffle, repeat, reverse and gate the slices of each loop according to user defined probability. Load any 4 loops, sync them to tempo, slice them up and then set probabilities that each loop will play and for each randomising effect per loop. Even the randomness is randomised, with a parameter that varies the probability in a user defined range. slix was co-developed with sink, who also provided the included 295 original loops.
Dirty Harry is an unashamedly DIY Lo-Fi Synth based on the samples of my two homemade, lofi noisemakers, the Atari Punk Console and the BugBrand WOM dirty harry offers 20 unique waveforms in all their mono/monophonic glory. For extra grit the oscillators can be syncüfd or ring modulated. Fidelity can be lowered further still with reduction in sample quality, distortion and a unique üebad contactüf emulation. 2 tempo sync LFOs allow modulation of filter, pitch and contact, with one LFO modulating the depth and frequency of the other. There are envelopes for volume, pitch and filter, with different contours and pitch options. Throw in an arpeggiator, pitch drift and portamento and you can see that whilst it may be lofi in sound, it doesnüft lack for sound design feaures.
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