COZY’s grooves have that perfect lazy feel that comes from hitting the snare just a little late. Combined with drum sounds that have just the right amount of tape warmth and dusty vinyl crackle, this Beatmaker will have you vibing in an instant.
The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equalizer and compressor hardware – letting you exploit the originals’ famous sound, conveniently from within your audio software. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
Spire is a software polyphonic synthesizer that combines powerful sound engine modulation with flexible architecture and a graphical interface that provides unparalleled usability. Version 1.5.16 of the Spire synthesizer instrument, adding a new Hard FM phase modulation mode, Navy Gray & Light Gray skin themes, and more.
AB Assist is a tool for quickly comparing multiple pieces of audio. This could be different takes, mix revisions, versions of a master, plug-in options, or something else entirely! Blind tests can be conducted in ‘test’ mode, with the channels labelled randomly in order to remove any subjectivity or biases.
The most fundamental question in audio production, how loud is it? Simple and yet elusive, with loudness inconsistency and incompatibilities present every day in broadcasts across the world. With detailed, objective loudness measurement, history and logging facilities, VisLM provides a simple, ITU, ATSC and EBU standard compliant* way to measure, compare and contrast loudness during production, broadcast and post production, on the fly or for entire sections of audio.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards. No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Splat is the ultimate placement tool. Harness the Haas Effect to deliver width, depth, and creative effects to mono instruments and live performances – quickly, easily, and with unprecedented control.
Finisher FLUXX, the third addition to its series of virtual multi-effects. You may call this plug-in the evil genius of creative FX. It’s designed to bring dead sounds back to life. The Finisher concept combines a handful of macro controls controlling 50 different hyper complex multi-effect chains (called Modes) under the hood. It features 4 individual macro controls per Mode, each controlling a separate sound aspect, making FLUXX an intuitive and fail-proof tool for sound designers and music producers to deconstruct, transform and animate their sounds.
COZY’s grooves have that perfect lazy feel that comes from hitting the snare just a little late. Combined with drum sounds that have just the right amount of tape warmth and dusty vinyl crackle, this Beatmaker will have you vibing in an instant.
If your transitions are lifeless (or nonexistent), turning to your ’Risers’ folder and smacking on some samples is a surefire way to sound generic… but with BOOST, you can turn any audio track or buss into a new transition that meshes perfectly with the mix.
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