Customize your attack and release times and shapes, independently. Make your compressor sound pumpy like an RMS compressor, snappy like a feedforward compressor, or your own creation. Attack and release times can be set to Zero, Infinity, and everything in between. Character and sidechain hpf controls for even more sonic flexability.
Nexcellence is a rich-sounding, spring emulation inspired by and modeled after “Necklace-type” reverb units. It provides two different spring set processors and can use one or both of its processing engines simultaneously. The algorithm has improved on the original hardware by providing a handy set of parameters to let you control inherent aspects of the spring reverb.
Twin-L is a dual algorithm classic limiter. The aim of this plug-in is to provide a wide variety of shaping options. The plug-in is able to emulate the main features of two types of limiter: VCA-limiters, which is a modern type of analog limiter, and Opto-limiters which are vintage optical limiters. Keep in mind, however, that Twin-L’s limiting algorithms are not intended to emulate any specific hardware but rather to bring the capabilities of both types into a versatile plug-in. It’s also worth mentioning that the Twin-L is part of our series Zero Latency Processing plug-ins; no additional latency is critical in many situations such as live monitoring and managing automation.
A new frequency shifter plug-in called HertzRider. HertzRider can be an incredible tool for tuning inharmonic sounds like snares, and for harmonic sounds it becomes a creative and crazy destructive tool. In addition to a wide range of shifting settings the algorithm contains an LFO (low frequency oscillator) to provide interesting modulation options allowing you to further creatively experiment with this tool. HertzRider is designed to be as simple as possible, to take as few resources as possible, and to incur only a very slight (and frequency dependent) latency.
CineBrass PRO is the expansion to the popular CineBrass Core library. CineBrass PRO is comprised of entirely new orchestral brass sample content, using the first-call Los Angeles musicians at the SONY Scoring Stage, mixed by Dennis Sands.Our CineBrass core library, released in June 2011, covers the essentials of the orchestral brass section, and functions as a solid foundation in our composing templates. But what about all the other things brass can do? We asked you, the film music community, what you wanted to see in an expansion. The result is CineBrass PRO.
RX Post Production Suite 3 is the flagship of the RX line and features four of most powerful tools for audio post production—RX 7 Advanced, Insight 2, Neutron 2 Advanced, and RX Loudness Control. This comprehensive audio post production suite features intelligent and powerful software solutions for everything from dialogue editing to mixing and delivery, plus $400 in bonus content.
Powerful, flexible Audio Analysis, giving you immediate access to precisely the information you need, when you need it, through a unique, intelligent window system. Measure, understand, correct. Visualizer gives you indispensable audio analysis for quality audio production, with a standardised reference set of professional tools that let you work faster, avoid mistakes, repeat past success and leverage the success of others. Visualizer’s unique intelligent window facility lets you select multiple view combinations, automatically resizing and aligning windows to maximise legibility and cross referencing information across screens. No need to switch between plugins to get the combination of views you want. User configurable presets let you switch instantly between setups and interface sizes to build the workflow that suits you.
Designed specifically for the demanding needs of music and post professionals, RX 7 continues to be the industry standard audio repair tool used on movies and TV shows to restore damaged, noisy audio to pristine condition. Get full control over your audio, whether it’s isolating vocals, rebalancing mix elements, or changing the inflection of spoken dialogue.
Supercharger GT is a compressor inspired by the rich, tube-driven sound of a boutique hardware unit. A feature-rich follow-up to the Supercharger compressor released in December 2013, Supercharger GT goes beyond modern tube compression by adding dedicated Saturation and Character modes and additional controls for complete sonic fine-tuning. Supercharger GT was designed for simple yet comprehensive sound shaping. Producers can quickly dial in a wide range of compression effects using a single ‘Compress’ knob. The effect’s automatic make-up gain allows them to stay focused on the sound of the effect without having to compensate for the drop in volume compression can sometimes cause. Pre-set Attack and Release settings provide a starting point for setting Supercharger GT’s response to incoming signals – producers can start with Punch, Gentle, and Slam modes. Dedicated Attack and Release controls allow an additional degree of fine-tuning.
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