TH-U is a software suite for guitarists and bass players who like to do everything in the DAW. The previous version was TH-3 version, and the new TH-U brings more of everything: 15 new amps (94 in total), 14 new speakers (52 in total), 2 new effects (77 in total), a redesigned Cabinet IR module and a search function for presets.
„ALGORITHM“ is an audio pack created the legendary DX7 V emulation by Arturia. While the original DX7 by Yamaha is well known for its classic 80’s FM Sounds the VST is capable of much more than that. We broke boundaries and crafted unique audio loops you’ve never heard before in any other Synthesizer. Add new color to your productions and get inspired immediately with the included Basslines, Leads, Keys, Pads & Sequences) • 40 key-labelled Audio Loops (Bassline, Keys, Lead, Pad, Sequence) • 125 Bpm • 44,1 kHz / 24 Bit.
The AcidBox V2 is a bass line synthesizer, a recreation of the iconic 303 bass line synthesizer from the 80’s with a new interface, which makes it easier to create real-time sequences and tweak them in a live situation. Get your live performances further with ACID BOX, a bass line synthesizer with custom functions, a 16 to 64 steps sequencer, and 6 integrated effects. A simple tool for real-time creation. AcidBox is inspired by works from Techno and House artists like Daft Punk, Aphex Twin or Laurent Garnier, with their use of vintage 80’s synthesizers and influences stemming from the Acid House genre.
Instalooper3 – This glitch effect tool can loop the real time audio to apply time and pitch changes to create effects on your musical creations. Use this looper plugin to create breaks at the end of measures and unstructure the sound, looping it fast to create roll effects. InstaLooper3 is not a traditional loop recorder.
GSi Genuine Sounds is a collection of fine sampled instruments based on a very efficient and unique proprietary sound engine made by GSi and called WLF – Wavetable Linear Format. The WLF Engine grants the highest performance with the lowest memory usage and CPU load possible, resulting in high polyphony even on less capable devices. All sounds included in the Genuine Sounds collections are professionally sampled using proprietary software and hardware machines. With Genuine Sounds Volume First we at GSi are glad to introduce our new technology to the world, offering some of the finest acoustic and electric piano samples we’ve produced so far, with the sincere hope to continue along this route and release more collections in the future, focused on several other instrument categories.
The Full Collection of Soundspear plugins.
Simulate the dust, scratches, warp, and mechanical noise reminiscent of yesteryear for FREE with Vinyl. Perfect for music production and audio post, Vinyl lets you control each nostalgic element independently, giving you all the vintage turntable sounds you love, save for the headache. Control each of Vinyl’s characteristics independently, introducing noise, saturation, warble, crackling and more without introducing associated audio side effects. Dial in as much or as little of each to add something unique to individual tracks or give a full-on nostalgic treatment to an entire mix. It’s all the lo-fi sounds you want, with none of the lo-fi sounds you don’t.
SI6MA EX is a 3 Channel Amp Sim based on a hybrid of modern and classic vintage amps that gives a very aggressive sound, we recreated the perfect balance between low and high frequencies which gives the musicality and harmonics of a real amp. Our new modeling method gets the dynamic you need to feel the power of a tube amp sounding in the next room, amp sims will never be the same after playing our SI6MA.
apShaper is an audio effect plugin to add harmonic distortion to audio signals. It combines a waveshaper with three filter bands and various modulation options – two LFOs, a dynamics detector, and user-configurable knobs. apShaper can simulate multiple types of distortion, including tape and tube saturation, wave folding, and analog bit crushing. The three filter bands offer high-quality filtering without high-frequency squeezing. The variable-slope low-pass filter type provides smooth slopes not possible with traditional filtering – ideal to gently shape signals with large amounts of distortion applied. Multiple tone control types modelled after classic circuits allow classic bass/mid/treble tone shaping.
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