The hardest hitting sub-bass every time.. A new class of synthesizer designed for hip-hop, future bass and trap genres. Create powerful 808 style sub-bass that sounds punchy on every speaker, every time.
‘Tropical Vibrations’ is a fusion of positive Summer music inspired by J Balvin, Major Laser, DJ Snake, The Chainsmokers, Maluma, Kygo and more. All samples have been created and processed by HQ studio equipment like Avalon VT747, Manley passive EQ, UAD 2, Virus TI2, Moog, Spire vst, NI Massive, Korg R3, Korg MS20, Soyuz Microphones and a lot more. All the drum hits, synths and loops have been lovingly processed to be as punchy and warm as possible so all you need to do is drop them in and watch them go. Samples from ‘Tropical Vibrations’ sample pack is a great tool for production of Tropical House, Reggaeton, Deep House, Future House, Future Pop, Nu Disco and many more.
Fan of the strange side electronic music? Take a dive into ‘Techtonic’, the first of many tech house templates, this template contains everything a tech house producer needs, heavy pumping basslines, insane glitch arpeggiators, hopping percussion and a massive layered tech house kick. Not only is this template a stocked and ready to use production, but also utilises Ableton only plugins, meaning you do not need anything other than Ableton Live 9 to run it, all bass sounds and chords are made using Ableton’s operator and native plugins.
New release!!: MixBox, a “500 series”-style virtual rack plug-in for Mac and PC. MixBox includes 70 studio processors and creative effects derived from IK’s T-RackS, AmpliTube, and SampleTank, as well as four new reverb algorithms. It packs these processors into a convenient and intuitive channel strip layout that can be used as a plug-in for any DAW or in stand-alone mode. View the complete gear and effects collection here Users can create and save their own custom channel strips in an 8-slot “rack” that can be used in all major DAWs. With drag & drop routing and a range of advanced controls like wet/dry mix, sidechain and individual processor gain, users can assemble even complex processor chains in seconds. MixBox’s stand-alone mode offers a complete, easy-to-use mixing experience for nearly any situation, with up to eight separate racks of eight processors each. Audio can be fed into a computer from any source such as a digital mixer or audio interface, and the MixBox main panel will offer control over all eight racks at once. Users can load rack presets, add or remove processors from each rack, activate the side-chain and manage input/output channels and gain for each rack, all from one panel.
Le Skank is a Unique Reggae Guitar instrument, designed to bring you the real sound of a Reggae Rhythm Guitar. You can play any style of roots music : from old-school reggae to modern dub. Easy to use but powerful. In Reggae Music the rhythm guitar usually plays on the offbeat of the song. The chords usually are dampened after striking so as to create a percussive short sound, which sound can be hard to get with classical virtual guitar instruments. This is now over, welcome Le Skank.
Mercury-4 is a detailed emulation of one of the best-sounding and quirkiest polyphonic synthesizers of the late 1970’s, the Roland Jupiter-4. It’s the rarest and most sonically unique of the fabled Jupiter series, and we’ve gone to great lengths to recreate the subtle (and not-so-subtle) nuances and character of this beloved classic. Every aspect of Mercury-4 has been expertly modeled upon a vintage Jupiter-4 originally owned by Greg Hawkes of the legendary 80’s new wave band The Cars, and played on their double-platinum 1981 album Shake It Up. In Greg’s words, Mercury-4 “sounds just like my old Jupiter! It’s nice to have it back.”
Universal Synthetic Organ A brand new instrument by SoundFingers, Heritage Organ is a unique tool for all your productions. Made for modern productions, it features a new way of designing your sound. For Reggae, Dub, Funk, Soul, Blues, Rock… All genres where you’ll need a great organ sound.
Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 9 presets. Library size is 220 MB. 10 distortion kernels. Please note that these require a fully licensed Nebula Pro license to enjoy. This sampling was a little tricky but you can get useable results. There is some funky stuff that happens in the high end on the mojo modes so perhaps the engine wasn’t really truly bypassed. Anyway adds a sense of dimension to synths and strings when used in a send. Use with your favourite VST emulation in parallel.
KORG’s legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms. Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control. Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.
Sylenth1 is a virtual analog VSTi synthesizer that takes the definitions of quality and performance to a higher level. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths. Sylenth1 is one that does. Sylenth1 is not just another synth. It was built from a producer’s point of view. It was built to produce superior quality sound and music. It was built to perform. A lot of research has been invested in order to achieve unheard warmth and clarity. The graphical interface ensures the highest level of usability so you can fully unleash your creativity.
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