ABL Pro v1.2.2.0 AU UB VST VSTi MAC OSX

TEAM R2R | 2015.02.21 | 8.26 MB

What would a 303 on steroids be like? We answered that question using a mock-up by our friend AlphaDog and adding some more stuff like patch cables and polyphony, and it turned out to be a very different beast indeed. While ABL Pro has it’s roots in sequenced synth sounds it also excels at pads and leads and is something of a hidden gem for many producers. We guarantee you nothing else sounds quite like ABL Pro. The filter is based in the 202 filter which sports self oscillating resonance, accurate tuning and a great range (from sub bass to above upper hearing limit). This filter can howl!

NitrousNEO v1.0.0.1 VSTi WiN

FREE | x86 | 2003 | 2.24 MB

Quad Oscillators with pulse-width modulation and FM.

Its super-compact UI is designed to maximise workflow without making it too hard to work with, thanks to large, well-spaced knobs and obvious, simple to use minor controls.

AGL v2.0.0 AU VST RTAS MAC OSX

P2P | 19.02.2015 | 3.97 GB

Ample Guitar L aim to bring the Alhambra Luthier Classic Guitar sound to your studio.

AGM v2.0.0 AU VST RTAS MAC OSX

P2P | 19.02.2015 | 5.83 GB

Ample Guitar M aim to bring the Martin D-41 Acoustic Guitar sound to your studio.

Spirit Reverb v1.0 VST WiN

TEAM NeBULA | 16.02.2015 | 3.6 MB

Spirit Reverb can also do totally original effects, such as the Cosmic reverb type, which is generally set like an echo effect and causes a swelling frequency sweep trail. All effects have a parametric EQ that can be used either after the effect, or on the wet signal only. Stereo spread effects provide an even more big and spacious reverb which can be dialed to the desired width in “Mono to Stereo” mode.

iZ Vinyl v1.7.3b x86 WiN MAC

FREE | AU RTAS AS HTDM VST MAS DXi | 8.57 MB

The ultimate lo-fi weapon, iZ Vinyl uses advanced filtering, modeling and resampling to create authentic “vinyl” simulation, as if the audio was a record being played on a record player.

linuxDSP GRAPH-EQ v1.0.0 VST WiN

Team ST3RE0 | 26.08.2011 | 1.77 MB

The OverTone Graph-EQ is a Windows port of the MKII Graph-EQ 10 band Graphical Equaliser, originally developed by linuxDSP for the linux platform. It features the same innovative DSP technology, providing ten fully adjustable filter bands, including a de-cramped peak filter which gives a more analogue response without requiring CPU intensive upsampling.

ValhallaRoom v1.1.1 WiN v1.1.3 MAC AU VST

TEAM R2R | 2015.02.06 | WiN: 2.72 MB | MAC: 3.37 MB

ValhallaRoom is a versatile, true stereo algorithmic reverb. It features eleven original reverberation algorithms (including the latest Dark reverb modes, Nostromo, Narcissus, Sulaco and LV-426), and produces a wide range of natural reverberation sounds.  Sounds range from tight ambiences and rooms, through traditional hall and plate sounds, all the way up to vast modulated spaces. The algorithm designs have been influenced by some of the “classic” room simulation boxes, as well as state of the art modern theory.

Eos v1.1.2 AU VST RETAiL MAC OSX

SYNTHiC4TE | Feb 02 2015 | 1.2 MB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.