The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.
These are the Plate Reverb and Stereo Room reverbs from the Reverb 2016 triple-reverb set; ported to VST (for Windows only). They look and sound the same as the Digidesign Pro Tools plug-in.
Spire, a virtual synthesizer instrument
Quiver is modular synthesizer that tries to make it easy to tweak the sounds. The modularity of Quiver allows the user to sculpt different kinds of sound, without presenting an overwhelming number of options.
Can’t play bass, drums, piano, or violin? No problem! Just point and click and you are making music. It’s that easy! Introducing Cakewalk Studio Instruments, the world’s first easy-to-use and affordable software instrument collection for Mac and PC. Cakewalk Studio Instruments includes a high quality Drum Kit, Bass Guitar, Electric Piano, and String Section that can be played stand alone or inside your favorite music-making software such as Cakewalk Music Creator, Apple GarageBand, Magix Music Maker Deluxe, SONY ACID Music Studio, and more.
The Riser is an all-new instrument for designing musical transitions of epic proportions. A powerful, synth-based instrument, The Riser features all of the tools you need to compose heart-stopping transitions in one intuitive user-interface. In seconds, you can construct rises, falls, swells, fades, and more, based on our coveted sound synthesis technology. For instant inspiration, The Riser includes 300 pro-grade presets that you can edit, deconstruct, copy, mangle, and implement into your tracks. Transitions add suspense, hype, drama, and movement to your music. Cymbal swells and reversed instruments were go-to transitions for years, until the DAW pioneered fast and flexible audio editing, paving the way for complex sound effects. When combined with synths and other audio shaping tools, transitions completed their metamorphosis from science to art. Until now, this process has convoluted and time-intensive, taking attention away from the overall project itself. The composer spent more time trying to get plugins, virtual sample players, hardware effects, sound modules, and other gear to play nice with each other – and that was before hitting “record”.
Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. Whilst not a direct copy of any one particular model, it takes features from several of the classic delay devices, and unites them into a convincing and pleasingly retro sounding effect. Resound not only models the characteristic mechanical noise present in hardware magnetic-tape units, but also allows the noise to be controlled; from gentle warmth and distortion, to noisy, gritty, and unstable. The sound can be shaped further using the moveable highpass filter. And with feedback set beyond a certain intensity, Resound is even capable of self-oscillation.
Resound’s echoes can either be synced to the host tempo (expressing delay times as musical subdivisions of a beat, each echo will be exactly in time with the host) or in free-time mode (allowing any delay time, up to 2 seconds.) The reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.
Manifold is a software audio effect processor that enhances an audio signal, producing a fuller, livelier, bigger sound. Input signals are split into as many as 20 individual voices, each of which are detuned, placed around the stereo panorama, and recombined with stunning results. Flexible controls mean Manifold is capable of producing a wide range of effects; from subtle modulations that add interest to lifeless sounds, to extreme detuning that fattens the weakest of input sources.
BOUNCE is a transparent yet versatile compressor that can do subtle compression to full thrusting and punchy sounds. Featuring a Detection Section, where you can select the frequency band (range) which you can feed back into the compressor to create the desired shape of your sound. Works great on anything from Drums, Bass, Synths, Vocals, Percussion, Guitars and Acoustic Instruments to the entire Mix and also great for Mastering Audio.
Pastoral Tones is a sample based instrument inspired by the sound aesthetic of Boards Of Canada. The plugin includes 62 preset sound to choose from featuring analog synthesizers, flutes, brasses, strings, electric pianos, sound FX, basses and atmospheres. The acoustic instrument sounds have been sampled from public domain films produced between the 1950s and the 1970s. To thicken the sound, various sound modules have been added, including a sub oscillator, vinyl and film grain noise layers as well as field recordings sampled from public domain old films. All the preset sounds are one sample stretched over 5 octaves of the keyboard. Multi-samples have been avoided to increase loading speed, keep the plugin light on RAM and to obtain that old sampler vibe. As a result, Pastoral Tones runs well on older computer. Furthermore, recordings of public domain films were preferred in order to get the most authentic retro sound possible, the kind of sounds you would hear on a Boards Of Canada album.
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