Dr.Device v1.0.x WiN MAC

Teams AiR-DYNAMiCS | 2007 WiN: 1.54 MB | 2008 MAC: 2.33 MB

Dr. Device is two (two! two!) hi-octane analog-style effects in one. First in the chain is a multi-mode filter, featuring our own private reserve 4-pole lowpass, along with 5 other tasty musical modes. Then, your audio takes a trip through our true-stereo analog delay. Couple these effects with a two-node XYZ pad, motion recording, and kinetics (you have to see it to believe it) and you’ve got an effect well-suited for both live performance and studio tweaking.

Bismark Bs-16 v4.x.x WiN MAC

Team ASSiGN | 20 January 2012 | WiN: 4.5 MB

Team ArCADE | Date.: 03/2009 | 3.06 MB

SoundFont Player Plugin VSTi UB

bs-16 is a multitimbral software playback sampler for Steinberg VST 2.4, and Apple Audio Units plug-in format. You can play all SoundFont 2 files for Creative Sound Blaster series, and DLS (Downloadable Sounds) files on your host application. bs-16 supports Mac OS X and Windows.

Speaker v1.5.0 WiN

Team R2R | Nov 11 2019 | 8.3 MB

Speaker is a simple overdrive effect with speaker emulation. It also features a fixed compressor, gain stage and mix knob. Speaker can be used to make any audio source sound as if it’s being played on an old radio. It can also be used to emulate a cheap guitar cabinet or to give harshness to any sound.

ArcSyn v4.0.3 VSTi WiN MAC

Team R2R | 20 Sep 2020 | WiN: 5.6 MB | MAC: 10.9 MB

PLATFORMs: WiN32/64 – VSTi/VST3 | macOS: AU/VSTi/VST3

ArcSyn is a 16-voice polyphonic virtual analogue synthesizer plug-in… ArcSyn Synthesizer v2.0 – The synth offers unusual waveforms, dividers, logic functions, frequency shifters, as well as LFO wave sequencing, allowing extremely complex modulation patterns. ArcSyn is laid out approximately like a MiniMoog, so it shouldn’t be too difficult to start editing programs and creating interesting sounds, although if you take the time to work out how the LFOs and modulation matrix operate, you’ll be able to create much more complex programs.

Type-A v1.1.0 WiN

TEAM R2R | 09.11.2019 | 11.16 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

Type A is a plugin inspired by a famous vintage tape encoder. The original unit was designed to be a noise reduction system for tape recording (encode stage) and playback (decode stage). Type A emulates the encode stage, which was often misused as an enhancer, dynamically increasing the top end of a signal without introducing artefacts or altering the harmonic content. The results are similar to a dynamic EQ which adds presence and air to any track in a natural way.

Megaphone v1.5.0 WiN

TEAM R2R | 09.11.2019 | 13.43 MB

AAX*,  VST, VST3, x64

Megaphone is a plugin that emulates an amplified bullhorn / PA loudspeaker. It features two loudspeaker emulations, feedback (slapback) control and a noise section. Megaphone can be used to make any audio source sound as if it’s being played by a bullhorn.

The Orb v1.1.0 WiN

Team R2R | 09 November 2019 | 6.3 MB

(Win32/64; AAX*, VST3, VST)

The Orb is a formant filter plugin which simulates the characteristics of the human voice. Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound. With the three LFOs you can modulate the Vowel, the Emphasis/Resonance of the formants, and the Drift, which can shift up or down the frequencies of each formant. You can also create your own set of vowels by changing name and frequency for each vowel/formant.

miniBit v1.6.0 WiN

TEAM R2R | 09 November 2019 | 6.56 MB

AAX, VSTi, VST3, x64

miniBit is a 8-bit/chiptune style synthesizer that emulates the sound of 80s game consoles and retrocomputers. It features a main oscillator with 12 waveforms paired with a sub oscillator (a square wave pitched one octave below). The waveforms are not bandlimited and will produce aliasing. Furthermore, using the built-in bitcrusher, you can create even more noisy and retro sounds.

Outer Space v1.2.1 WiN

Team R2R | 09.11.2019 | 39.8 MB

VST, VST3, AAX*, x64

Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features a tape echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We’ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects