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  • De La Mancha Subhuman v3.0 VSTi x86 WiN-Peace-Out
    Posted by Magesy.Blog On: 16 March 2022

    De La Mancha Subhuman v3.0 VSTi x86 WiN-Peace-Out

    Subhuman v3.0 VSTi WiN

    Team peace out | 03.14.2009 | 6.94 MB

    De La Mancha Subhuman VSTi v3.0 is a specialized 2 Osc synth for creating powerful sub bass, either for low down basslines, or sub-bass kick drums and drops. subhuman has been updated to add a pitch envelope, contoured graphical envelopes, note-on sync, waveform display and oscillator phase. It also now has a pure sine oscillator for Osc1, which is generated by real-time math to avoid interpolation and give a pure signal By playing notes several octaves below middle C, subhuman will create a deep sub bass from the pure sine wave generated by Osc1. You can add to this with a different waveform on Osc2, detuned, sync’d and out of phase to get an extra layer of sound. Use the envelopes to shape the volume, pitch and LFO profile, each one has multiple contours for each stage to get just the right effect. The tempo-sync LFO can make the filter wobble or sweep and the overdrive will add some dirt. Drum mode removes the sustain stage of the envelopes to give you a percussive sound on each note, used with the pitch envelope to get that classic drum machine kick


    13579 Views

  • MaxSynths Latte v1.0 VSTi x86 WiN-SYNTHiC4TE
    Posted by Magesy.Blog On: 16 March 2022
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    MaxSynths Latte v1.0 VSTi x86 WiN-SYNTHiC4TE

    Latte v1.0 VSTi x86 WiN

    SYNTHiC4TE | Oct 06 2013 | 11.46 MB

    Latte is inspired by the old synthesizers from the past and is able to produce powerful synth sounds, fat basses, expressive leads, crazy sounds and more. Despite the synth layout looks very simple the modulation options allows to shape the sound in a lot of different ways. One of the most interesting features is the possibility to use the polyphonic aftertouch* as a modulation source to create the typical expressive sounds which has been a trademark for the well known synth gurus of the past. The Saw/Pulse oscillator of Latte, characterized by a powerful and warm sound, has been created specially with the aim to recreate a realistic vintage sound.


    12632 Views

  • WOK StepCut Modulated Filter v1.0 VST WiN x86-ST3RE0
    Posted by Magesy.Blog On: 14 March 2022
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    WOK StepCut Modulated Filter v1.0 VST WiN x86-ST3RE0

    WOK StepCut Modulated Filter v1.0 WiN

    TEAM ST3RE0 | 10 NOVEMBER 2010 | 6.09 MB

    This is a dual-modulated multi-filter! The cutoff of an LP/BP/HP-filter can be controlled by an LFO and/or a step sequencer. The step sequencer can also control the speed or the modulation amount of the LFO ! Both are synced to host. The LFO can also run at audio rates! (manual or by incoming MIDI notes). And if all this is not enough: both LFO and step sequencer can send their values as MIDI CC messages to control other plugins or synths !


    16579 Views

  • MHC Synthesizers and Effects Extreme v1.0 VSTi WiN-ViP
    Posted by Magesy.Blog On: 14 March 2022
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    MHC Synthesizers and Effects Extreme v1.0 VSTi WiN-ViP

    Extreme v1.0 VSTi WiN

    TEAM ViP | 22.02.2010 | 60.2 MB

    Extreme belongs to our range of hybrid synthesizers. Have you been looking for a synth which sounds different? Then look no more. Extreme supplies a range of sounds which are everything else than common. Extreme includes 256 presets, but it uses our soundpack technology so you may add soundpacks. Three optional soundacks are available for Extreme giving you a total of 1024 presets to explore.


    10400 Views

  • PEEL v1.0.2 AU VST VST3 macOS-TRAZOR
    Posted by Magesy.Blog On: 14 March 2022
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    PEEL v1.0.2 macOS-TRAZOR

    PEEL v1.0.2 macOS

    TRAZOR | 15 January 2022 | 6 MB

    OPEN YOUR SOUND WITH PEEL.

    Visualize your recordings, identify and select part of the signal. Solo, mute or route the parts for external processing. Get creative with your audio recordings and samples. PEEL isolates individual instruments or vocals in stereo recordings so you can solo, mute or route the audio for external processing. Got a song where the vocals are too loud? PEEL can route the vocals to a separate track in your DAW* so you can set level and pan as if it was before mixdown. Do you have a drum loop where you wish the snare had a little reverb on it? No problem! PEEL can help you extract the snare only and add any effect you want to it.


    9772 Views

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  • USB X-Treme FX v1.0 VSTi DXi AU WiN MAC-BSOUNDZ
    Posted by Magesy.Blog On: 14 March 2022
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    USB X-Treme FX v1.0 VSTi DXi AU WiN MAC-BSOUNDZ

    USB X-Treme FX v1.0 WiN MAC

    Team BSOUNDZ | 01.14.2005 | 2.61 GB

    X-Treme FX is a virtual instrument dedicated to sound effects, foleys and atmospheric sounds. For sound designers it means having a brand new soundbank and the ability to work faster than ever with a great set sound shaping tools (layers, filters, envelopes, LFOs…). For sound designers it means having a brand new soundbank and the ability to work faster than ever with a great set sound shaping tools. This means it will be easier and faster to build complex sounds. And it’s perfect to trigger the included sound effects easily!. X-treme FX is also a great composition tool that will serve as a source of inspiration for new musical ideas. Few instruments are as easy and enjoyable to use, and provide as wide a range of unconventional, cinematic and bizarre sounds. For basic atmospheres, it is unparalleled. And with the integration of the UVI-Engine, you can count on an uncompromised sound quality throughout the plug-in.


    13803 Views

  • HC38 Headphone Calibrator v1.0 VST x86 WiN-ST3RE0
    Posted by Magesy.Blog On: 11 March 2022
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    HC38 Headphone Calibrator v1.0 VST x86 WiN-ST3RE0

    HC38 Headphone Calibrator VST v1.0 WiN

    TEAM ST3RE0 | 25/12/2011 | 5.24 MB

    HC38 Headphone Calibrator lets the user match the sound of their headphones to that of their studio monitors. It is ideal for field work, when studio monitors are not present, or to mix using headphones. It works by simulating several aspects of monitoring in a room environment. The user can adjust crossfeed, sound absorption, and room reflection. Crossfeed is the merging of the sound coming from each speaker. The amount of crossfeed can be adjusted by choosing from three approximate speaker distances (3′, 5′, and 7′) and fine-tuned using the crossfeed fader. What’s truly unique about the HC38 is its capability to simulate the room environment. The user can select from 6 representative flooring and room treatment materials that affect the way the sound is absorbed and reflected. It also has the basic hi-pass and lo-pass filters so one can make adjustments based on the frequency response graph provided by the headphone manufacturer.


    8853 Views

  • WiDE X v1.2 VST2 x86 WiN
    Posted by Magesy.Blog On: 10 March 2022
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    WiDE X v1.2 VST2 x86 WiN

    WiDE X v1.2 VST2 x86 WiN

    MaGeSY® | 29.02.2020 | 2.99 MB

    Stereo Tool for Bus or Mastering


    7645 Views

  • Straightarrow Quiver v1.1 VSTi x86 WiN-ASSiGN
    Posted by Magesy.Blog On: 2 March 2022
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    Straightarrow Quiver v1.1 VSTi x86 WiN-ASSiGN

    Quiver v1.1 VSTi WiN

    Team ASSiGN | 12 MARCH 2012 | 5.69 MB

    Quiver is modular synthesizer that tries to make it easy to tweak the sounds. The modularity of Quiver allows the user to sculpt different kinds of sound, without presenting an overwhelming number of options.


    8413 Views

  • NUSofting Pals Chorus VST x86 WiN-ASSiGN
    Posted by Magesy.Blog On: 2 March 2022
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    NUSofting Pals Chorus VST x86 WiN-ASSiGN

    Pals Chorus VST x86 WiN

    TEAM ASSiGN | 25 APRiL 2010 | 6.20 MB

    NUSofting Pals may be effectively used both to increase fatness of Lead sounds or to emulate a wide ensemble using pads or plucked sounds. The modulation for all effect voices is provided by 4 LFOs, each LFO has its own phase and rate values plus one LFO has the phase modulated, that ensures a rich and varied modulation of the voices. VariAmnt adjust the depth of the modulation for all voices. For Lead sounds small amounts of Size and Time are preferred, where for Pads you may use the full range. For saturated sound increase OutGain, that will also boost the volume and is not reccomended for high pitched sounds. When OutGain is turned hard left the volume is zero. When Stereo is turned hard left the output is mono. NUSofting Pals may also be used both to turn a mono sound into stereo or to turn a stereo sound into mono.


    8648 Views

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    Search like: Compressor, Limiter, FX, etc


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