Everyone wants good audio, but don’t always know the steps to get there. This course takes a practical, hands on approach to audio post production. From dialog cleanup and noise removal to sound design and mixing. Working in Adobe Audition CS6, we work through specific project based scenarios to add practical tools for you to use on everyday projects.
Automaton is a unique look at buffer effects, allowing you to experiment with artificial life within your DAW. With four separate effects (Stutter, Modulate, Bitcrush, and Replicate) driven by a cellular automata sequencer, Automaton is capable of adding subtle seemingly random fills and “humanizing” effects, but if you like, you can crank the sequencer up to eleven, and watch as your DAW becomes a petri dish while Automaton makes complete hay of the track you’ve inserted it to.
Logic Pro X is a MIDI powerhouse! This MIDI-focused, introductory course by Logic expert gets you up and recording, editing and producing MIDI fast!
MIDI is the heart of Logic. In this course, you learn tons about how to compose and produce with MIDI in Logic Pro X. It starts by teaching you how to really work with tracks, channels, regions, and take folders. With that knowledge shows you how to incorporate those techniques to master multiple ways to record and capture your MIDI ideas. Next up is a deep dive of Logic’s main MIDI editor: the Piano Roll. Get the secrets of MIDI Draw and see how to customize and animate MIDI effects and performance. From there, Jonathan dives into the Event List, where massive amounts of MIDI data can be massaged with just the click of a mouse!
Chor’X combines three types of Vintage Chorus effects, based on Bucket-Brigade Delay (BBD) emulation with a sophisticated True Stereo Dynamic Spatializer. With this duo, it becomes very easy to add space , depth, and other dimensions to your instruments, and achieve complex and intriguing mixes.
Movement is the name of the game when it comes to the appropriately named Mobilohm. From the gentlest of caresses to immense, swirling waves of sound, this plug-in knows how to pump texture and depth into your compositions. Where Hematohm shatters harmonic content, Mobilohm enhances and transforms it. Having four separate cells allows for complex interplay between the different frequency ranges in your sound, and the different phase trickery you choose to apply to them.
Tired of mediocre melodies and bored by repetitive riffs? Sometimes you just need to get your sound dirty. Strap the Hematohm into your rack and marvel at the devastation it can reek on dull drums and soporific synths. Hematohm’s frequency shifting engine is everything you always hoped to get from a ring modulator but were too embarrassed to ask for. Not only can you radically manipulate the frequency content of your sounds, but the built in LFO and envelope follower will transform static parts into pulsating sonic behemoths.
Obelisk is a spectral multi-effect that combines a Spectral Delay, a Spectral Filter and a Spectral Gate together with a Spectrum Analyzer and 2-Dimensional LFOs to modulate the effect settings. Obelisk separates the incoming audio signal into frequency bands. Each frequency band has its own Delay with Feedback, its own Filter and its own Gate. By simply drawing “effect lines” into the Analyzer Point View, hundreds of parameters can be controlled very easily and intuitively. Obelisk has three 2-Dimensional LFOs to modulate the effect parameters in ever changing and totally new ways. Just draw your effect.
