If you need to capture the style and mood of the 60s, Easy Sixties offers an authentic flavor of the laid back, easy listening sound from that era. This library is built around 11 comprehensive construction kits and contains nearly 1400 loops and samples totaling over 3 GB of sample data.
Jazz Works Vol.2 delivers an impressive collection of top-class musical performances and infectious grooves. The second volume of the series focuses on more traditional jazz styles including Swing, Upswing, Boogaloo, Latin and Brasil Jazz. The authentic sounds can let you build your own stylish jazz productions or can be used within crossover pieces in genres such as Easy Listening, Lounge or other electronic styles and for film and TV cues. The Jazz Works Series includes acoustic and electric pianos, Jazz drums, upright bass, jazz guitar, baritone and tenor saxophone, flute, flugelhorn and trumpet – raw and authentic jazz, ready for your ideas.
We don ́t see Ensemblia 2 as an update – we like to call it evolution! Ensemblia 2 was mainly rebuilt from scratch – we have written a complete new script with new features but also have included some parts of the old scripts such as the voicing engine. The Design of the new 2.0 version now features a completely new interface. Everything looks very noble and is very clear. The Mixer now gives every separate instrument a wealth of sound shaping tools. It’s amazing how far the sound can be pushed to each individual instrument as well as to the master. An absolute unique feature is the 3D Panning. The Instrument amount has increased a lot. Beside upgrading the string section with triples, Ensemblia 2 Orchestral is packed with many new instruments such as saxophones, bass clarinet, trombones, electric guitar and flutes – but also many instruments of our current shop are included. All in all Ensemblia 2 Orchestral now provides more than 80 instruments! (see below). The instruments are well organized available by categories and groups which are displayed dynamically. All the instruments are right at the finger-tips.
Based on creative techniques developed by studio engineers and producers in the early 1980s, Shimmer Delay Ambient Machine combines reverb, pitch shifting, and feedback to create out-of- this-world soundscapes and spaces. Great for guitars, keys, synths, samples, and vocals, Shimmer Delay Ambient Machine promotes getting lost in creative production and electronic music facets of the ambient spectrum. Swell crescendo means to start at a low volume and then swell to a much louder level, which is similar the sound of a violin being bowed. Now you get those sweeping swells from your guitar using the auto swell section of the Shimmer Delay Ambient Machine. The Shimmer Delay Ambient Machine user interface is designed with an emphasis on user control and playability.
Clipping is bad, right? Nope, not always! In this bx_clipper video course, veteran Groove3 instructor Larry Holcombe provides plenty of evidence of this as he walks you through the sonic possibilities that lie within bx_clipper by Brainworx. You can use this multi-function plug-in for a variety of purposes, such as dynamic control, creative sound-shaping, adding saturation and grit, generating LOUD masters, and more. You’ll learn how to tweak each bx_clipper parameter and control confidently to get the desired results in your productions quickly. By the end of the course, you’ll see how bx_clipper could easily become a staple in your workflow. These bx_clipper videos are designed for new bx_clipper users. Larry begins by discussing a bit of background on the practice of using clipping as a dynamics processor, followed by a quick tour of the interface to help you get your bearings. Then you’ll explore the channel controls, such as the left/right and mid/side modes, and learn how these can be employed to focus on different spatial elements of the track. Larry also covers the Ambience setting and talks about proper gain staging procedures, as well as the Ceiling and Knee controls, both of which provide ample opportunities for shaping sounds.
Logic Pro users, stop! Before you splurge for the latest VI plugin you’ve had your eye on, you need to watch this Logic Pro video course! Larry Holcombe, a Logic Pro expert, will show you lots of strategies and techniques for creating awesome, memorable sounds and samples using nothing but the Session Players and Studio Instruments already included with Logic Pro. From drums and bass to keys, horns, guitar, and more, this Logic course will teach you how to make the most of what you already have by getting creative and thinking outside the box a bit—skills that are applicable in countless musical situations. These videos are designed for new users of Logic Pro 11 or greater. Larry welcomes you and kicks things off with a playthrough of what we’ll be creating in this course, so you’ll know what we’re aiming for from the beginning. (All the files used in this course are included via the Course Extras link on the product page when logged in, so you can follow along every step of the way in your own project.) Larry starts by using Keyboard Player to create soulful chords, layering both upright and electric piano. Following this, you’ll see how to fill things out by adding bass (with Session Bass Player), organ (repurposing our first piano part), and drums.
If you’re getting started with Cubase 13 and are ready to mix down your first song but have no idea where to begin, you’re in the right place! In this comprehensive Cubase 13 video course, studio expert Gary Hiebner walks you through the process of mixing your first Cubase track, from initial setup to final export. You’ll learn about project organization, using effects like compression, reverb, EQ, etc., instrument-specific tips, vocal tuning and processing, editing (audio and MIDI), setting up buses for each instrument group, automation, and much more! By the end of the course, you’ll be ready to dive in with confidence, and you’ll no doubt have saved yourself hours and hours of mistakes, manual diving, and frustration. You also get all the tracks in the video, so you can follow along and mix as you watch the instruction! These Cubase 13 videos are designed for Cubase users who are new to mixing.
Tiny Machines Getting Crushed is a new loop library. Classic and obscure analog beat boxes are sampled, reprogrammed and then squeezed, smashed and decimated through modular synth modules, old guitar pedals and digital distortions to create one very nasty beat collection. 137 original loops with breakdown versions where applicable. 277 24-bit/44.1k samples (90, 100, 110, 120, 128, 135, 140 and 160 BPM), EXS24 and Kontakt starter instruments.
SMACK 2: Claps, Snaps & Stomps is an immersive sample set of body percussion that offers an impressive level of detail. After the success of the original SMACK, we set out to design and record a worthy sequel that not only captures the same magic of the first library, but also improves on it in several ways. For starters, we recorded all of the body percussion with three different customizable mic positions: close, stereo, and room. Next, we deepened the sample set to make each performance as realistic as possible by recording eleven round robins and up to seven velocity layers. Lastly, to add even more audio flavor, we captured the performances in small, medium, and large-sized rooms. To make SMACK 2 even more versatile, we explored various new clapping techniques and unique stomping surfaces. For example, we sampled a single person stomping on a guitar case with a tambourine on top, and also a small group stomping on plastic packing materials. For total control over your sound, we created over seventy articulation patches for immediate access to each round robin sample on the keyboard. To complement the body percussion we crafted a large set of unique electronic sounds. This patch includes electronic toms, kicks, snaps, claps, and other percussion. While these samples sound great on their own, they also blend beautifully with the acoustic samples.
The “SOLSTiCE Production Suite WAV MiDi” is a sample pack designed for music producers. Sample packs are collections of sounds, such as loops, one-shots, and MIDI files, that producers can use to create music. These packs are especially useful for those looking for inspiration or wanting to incorporate high-quality sounds into their productions without having to record or design everything from scratch.
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