Acoustics Audio Concepts TUTORiAL

SYNTHiC4TE | June 26 2014 | 112.6 MB

In this course, you learn all about the wavelength, absorption, reflection, transmission of sound in the real world. You also learn all about phase, polarity and interference and how these physical properties determine why sound “sounds” the way it does! From there, expert engineer Joe Albano dives into phenomena like Comb Filtering, the Haas Effect, Standing Waves and other phenomena that can impact direct and reflected sound. The final two sections in this course zoom in on Room Treatment and Sound Proofing – essential knowledge for anyone designing or modifying a listening space or designing their own studio.

Ambient Sci-Fi & Ethereal Soundscapes

TEAM MAGNETRiXX | 22 July 2014 | KONTAKT: 1.07 GB | MULTi: 2.87 GB

Prometheus is a construction kit collection packed with ambient, dreamy music beds, minimalist rhythms and pulsing bass lines. Meticulously composed and programmed by zenzen (Dennis Franco) and his enormous collection of hardware synths: Roland JD-800, Roland JD-990, Roland JV-1080, Roland JV-2080, Roland XV-5080, Korg Triton, Korg Wavestation EX, Korg MS-2000, Virus TI, Oberheim OB12, Novation KS4, Novation K Station, Casio CZ3000, Waldorf Blofeld, Elektron MachineDrum just to name a few. If you would like to inject an ethereal, ambient sense of wonder, with a touch of sci-fi in your songs and music tracks for film, TV, documentaries, video games, trailers, commercials, contemporary ambient and cinematic composing, Prometheus is the perfect choice! Included in almost every construction kit is a folder of drum tracks, single hits and a folder of loop endings. Each element of the drum kit is broken down into separate loops to give complete control of the beat back to you. All samples are recorded in the highest 24-bit quality and cut perfectly to fit quickly and easily into any production.  Prometheus is an ideal collection for composers, songwriters, DJs and producers in a wide variety of music genres.

A Journey Into House MULTiFORMAT

Team MAGNETRiXX | 04 February 2014 | 229 MB

Using the combined force of two studio’s in Barcelona and LA the guys have used a mixture of modern synth plugins alongside classic instruments such as the Roland Juno 106, Korg Dss1, Access Virus and Akai samplers all spun through quality digital mixing desks to form a wonderfully rich sound bank of Deep Dark Stabs, Classic Chord Shots, Funky Organs, Deep Tribal Drums, Warm Punchy Basses, Infectious Percussion Loops and topped off with some Classic House vocals from Eddie himself. Each sample has been carefully treated using high end software plugins including Waves J37, Izotope Nectar 2.0, Izotope Ozone 5.0 and Antares Filter for maximum impact.

Old Tape Piano KONTAKT

KRock | 22 June 2012 | 373 MB

Always wanted to sample a grand piano, but what’s the point? The market is oversaturated of piano libraries, and making another one is pointless unless you make it differently. We sampled a grand piano in mono using a low quality cassette recorder. When I say “low quality” I mean “very low quality”. Unlike other libraries availabe, the piano used was new and tuned, just the recorder was old. It has a lofi vibe to it, but without sacrificing dynamics. Don’t expect a clean sound, it’s the opposite. You can hear it on the demos, it’s perfect for music from the 40s, 50s, 60s… But it reminds me too that kind of “rare demos” from the stars of the 60s and 80s. 8 velocity layers, all notes sampled (no pitchshifting). The background noise was annoying (and there was a lot!) so we applied noise reduction but we made a loop file with the noise itself for if you want to use it. We love this instrument, we could play with it all day long, it’s completely addictive! And we loved the making of it, so you can expect other instruments recorded with this method.

The Advanced H1 KONTAKT

NanoBeat | 21/04/2015 | 39 MB

The ADVANCE H-1 …There’s some serious old scool circuitry in there powered by ECC88 valves/tubes and we’ve modelled the GUI on the original but have taken some liberties… We’ve added a simple vibrato LFO and a simple envelope. There are also poly and mono modes with a glide control for the mono mode. You can switch between the raw valve sine and square waves but you can also enable the tape ‘mode’ and then switch between old cassette and completely knackered reel-to-reel (and the machine is so wrecked, that should be ‘real-to-unreal’ … totally wrecked … but sounds fabulous – all the qualities of valves with genuine tape saturation and excessive wow, flutter and random wobble … which can be made more chaotic with the vibrato LFO).

Deep House Bass & Garage WAV

AUDIOSTRiKE | 07/07/2015 | 320 MB

Sitting effortlessly at the apex of bass, garage and mainroom deep house, this pack serves up over 430mb of big basslines, classic pianos, dancefloor drums and much more. All of the 360+ sounds are presented in 24bit audio and each of the loops is precision cut at 122bpm. We’ve gone all out to provide plenty of tempo-synced FX, crashes and snare rolls — allowing you to easily build quick arrangements and keep in the flow when you need it the most. Whether you’re looking to create the upfront bass vibes of Low Steppa, the garage-tinged sound of Huxley or the piano-pop house of Secondcity, this essential collection has it all.

Fairlight CMI IIx KONTAKT

Øon3 | Mar 9, 2014 | 128 MB

Ive created All these banks/presets into ‘single nki files’ and also into’Multi-NKB’ files, which for many, will really be nice to use, if you so desire, to use these in a live show senario ?

Adlib Vocals Vol.1 WAV

DiSCOVER | August 07 2016 | 56 MB

‘Adlib Vocals Vol 1’ is a hugely-versatile collection of tuned and chopped vocal loops & one-shots. If you’re looking for those quintessential tuned down vox favoured by Galantis, Michael Calfan & Dusky or the pitched-up vox used by so many top-flight House producers, then you’ll find this collection an indispensable studio tool. For more traditional House styles, a number of soulful female topline phrases are also included.

CMI V v1.2.0.1391 MAC

TEAM HEXWARS | 17.07.2018 | 408.8 MB

AU/VSTi/VST3/AAX/STANDALONE 32/64

CMI V PEERLESS SAMPLING CHARACTER

The CMI V is a spot-on reincarnation of the first commercially available digital sampling system in music history—the sonic powerhouse behind numerous early MTV-era megahits. We even went the extra mile and added new creative features that weren’t possible back in the day. In 1980, the Fairlight CMI turned heads with the introduction of digital sampling. Now our software homage lets you turn some heads yourself. With exotic new sound of digital samples, the promise of an all-in-one digital workstation, and a physical design right out of a sci-fi movie, the Fairlight CMI was an object of desire for most self-respecting ‘80s keyboardists. Countless musicians and producers weighed the risks of bank robbery in order to afford one. No need today. Our faithful recreation gives you the same tools that many MTV stars used to make a cannonball splash into the pool. We’ve even made lots of improvements and additions that bring added power to this keyboard legend, including an alternate additive synthesis engine and tons of new modulation options. No vintage keyboard collection is complete without the CMI V. Now it’s your turn to experience the sound and power of the digital workstation that started it all.