‘Complete Producer Pack Bundle Vol.1’ is a compilation containing three different products. It features 30 chords MIDI melodies, 8 full Construction Kits and 64 Sylenth1 presets. This bundle gives you the simplest way to create your own Electro and House tracks. This is a must-have compilation for every serious producer.
Project Techno Volume 002 is a package based around the darker sides of the underground techno scene. Masterfully created with analogue gear dating back to his early experiences with hardware from the late 90s, Dolgener (Martin Dolgener) has built one hell of a pack. Dolgener has developed into a unique style all his own, self proclaimed as an industrial infused techno. This sound has landed him spots on some of the world’s top techno labels, even having his works pressed to vinyl. In this pack you will have at your disposal everything you need to produce your very own dark and underground techno masterpiece. Over 222 sound samples and loops ranging in tempo have are enclosed.
Deep Dub Tek takes a Healthy slab of Dub delays, a generous slice of Techno pulses, a pinch of Minimal atmospheres, with an infusion of Electronica Vocals and blends them together to form an incredible cinematic Dub Inspired soundscape. Expect to find, Over 1Gb featuring Subsonic Basses, Intricate Dub Beats, Crystal Sharp FX, Soft Sultry Vocals, Mix Slicing Drum Hits, Room Filling Atmospheres and Luscious Dub Delays. In Detail: 1.10Gb of 24 Bit Quality Sounds and Loops forming 12 construction kits and bonus loops including, 29 Bass Loops, 46 Music Loops, 30 FX Loops, 56 Drum Loops, 18 Vocal Loops, 20 Fx Shots, 93 Drum Hits, 10 Synth Multi Sampled Instruments and 7 Bass Multi Sampled Instruments, 200 Rex2 Files and 29 Soft Sampler Patches For Kontakt, Halion, Exs24, Reason Nnxt and Sfz Formats.
Loved and coveted by sound engineers all over the world for its super huge bass and its silky shiny treble, the PE 1C is Tube-Techs clone of the famous Pultec tube-driven passive equalizer. It does things no other equalizer can, and when you start twisting the knobs you will find it’s more versatile than it may appear at first. We think the sound from this equalizer is the reason why some people started spelling “fat” with “ph” when describing a sound. The PE 1C will give you the most thunderous and solid low end on the planet, and in addition to that, a treble that is so silky and sweet you just want to cuddle into it.
This new addition to our percussion line-up complements the powerful toms and drums percussion of H.I.P.P. and Felt Force One with a veritable scrapheap of metal and iron objects and instruments. From clinging and clanging to smashing and booming, this collection covers a lot of sonic ground. Without compromise and fully dedicated to capturing the specific sound of these metal and iron soundscapes, we set out to create an all-new exciting collection of performed percussion and multi sampled sessions. As usual, we coupled this with an intuitive yet stylish UI to give you full access to this vast source of marked samples. This sampleset consists of a slew of inspired ‘live’ performances by an amazing percussionist, extended with deep sampled instruments like TamTam, Anvils, Cymbals and thundersheets.
One of L.A.’s most respected producers, engineers and mixers — and one of the busiest — Jim Scott has built his rep off of crisp, live-off-the-floor sounds and attendant good vibes. Scott picked up his first Grammy in 1995 for engineering Tom Petty’s Wildflowers, scoring two more for his work with Santana on Supernatural and the Foo Fighters’ One By One. In 2007, he doubled his Grammy total, scoring a hat trick for his recording of the Dixie Chicks milestone Taking the Long Way. That album was the most recent of dozens of projects Scott has done with Rick Rubin during the past two decades, from Petty and Johnny Cash to the Red Hot Chili Peppers and Slayer. (Bud Scoppa, Mix Magazine July 2007).
The new issue of MusicTech Magazine is on sale now and this month we’re looking at how to master the next generation of plug-ins!
AUDIO schreibt faszinierend und pointiert über alles, was an unser Ohr dringt: HiFi Stereo, Surround-Sound, High-End-Geräte und und die Vernetzung aller Geräte im heimischen Wohnzimmer. Ausgewiesene, langjährige Profis testen und berichten über bezahlbare und absolute High-End-Devices. AUDIO ist der unverzichtbare Ratgeber vor, während und nach dem Kauf und als Frühindikator für Trends und Stimmungen in der Branche unverzichtbar.
Steinberg guru Mark Struthers is back and this time he’s tackling WaveLab 8’s Montage. Join Mark as he explores the many features and functions of this powerful application and shows you how to improve your tracks and export for delivery. Mark kicks the series off with a look at the distiction between the Montage workspace and the Audio Editing workspace. From there Mark takes a detailed look at the Montage window and Track Control Area options & menus. Moving on, Mark discusses the multiple ways of creating an audio Montage from a single audio file as well as building on the Montage and adding effects.
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