TimeDrops KONTAKT

SYNTHiC4TE | Oct 12 2015 | 672 MB

TimeDrops is a granular time manipulation tool for Kontakt 5, which enables the user to import his own samples and features an extensive of sound sources and presets. TimeDrops implements an advanced time granular engine which allows to freeze the time of any sample, creating pads and soundscapes out of any kind of material. It also features a custom scripted ADSR, time synced LFO and an advanced mapping system for creating complex organic textures and many different playing modes to reinterpret the material of the sample in lots of different ways The idea of this instrument is to take something beautiful and transform into something else with the proper tools, keeping the maximum sound quality possible. For this reason, despite its apparent simplicity, it implements many under the hood adjustments like per-grain custom windows, anti-phasing techniques and synchronized time/rate/densities between the grains. Granular synthesis is actually awesome when you can’t actually between the single grains… and the whole result appears like a new designed sound! For this reason, the library features a very simple way to import your own samples, so that you can create your personal library of TimeDropped sounds!

The Advanced H1 KONTAKT

NanoBeat | 21/04/2015 | 39 MB

The ADVANCE H-1 …There’s some serious old scool circuitry in there powered by ECC88 valves/tubes and we’ve modelled the GUI on the original but have taken some liberties… We’ve added a simple vibrato LFO and a simple envelope. There are also poly and mono modes with a glide control for the mono mode. You can switch between the raw valve sine and square waves but you can also enable the tape ‘mode’ and then switch between old cassette and completely knackered reel-to-reel (and the machine is so wrecked, that should be ‘real-to-unreal’ … totally wrecked … but sounds fabulous – all the qualities of valves with genuine tape saturation and excessive wow, flutter and random wobble … which can be made more chaotic with the vibrato LFO).

Prosonus Orchestral Brass KONTAKT

DiSCOVER | 22 NOVEMBER 2012 | 283 MB

Solo, section and full orchestral strings

Illusion KONTAKT

P2P | 13 October 2013 | 3.41 GB

Cinematic guitar soundscapes, sound design and textures for Kontakt. Illusion is a massive collection of Cinematic Guitar Styles which includes Guitar Soundscapes, Ambiences, Sound Design, Textures and Sound Effects and is the perfect choice for Film and TV Sound Design, Video Games, Documentaries, Film Trailers, Commercials and Media Applications of all kinds. Illusion contains rhythmic and pulse guitars, delayed guitars, chilling slide guitars, bowed guitars, gorgeous shimmery pad guitars, haunting echo guitars, distorted reversed guitars, drill guitars, ambient guitars as well as a huge section of guitar licks, guitar harmonics, guitar chords and many more, allowing you to harness the creative essence of today’s Cinematic Guitar styles.

Solo Dhol Drum KONTAKT

TEAM MAGNETRiXX | 12 January 2014 | 860 MB

Welcome to our Solo Dhol drum library. The Solo Dhol contains over 5.100 samples and +100 different articulations, including sticks, mallets, brushes, hands/fingers, bass bends and more, all recorded in extraordinary detail in a close, dry studio setting. We deep sampled two professional Dhol Drums for this library, each with distinct characteristics and tones. These drums have animal hide bass heads (called “dagga”) and maylar treble heads (called “thili”). They dagga sides are tuned with a single heavy nylon rope, wound around the drum through steel rings. The thili heads are tuned with a series of steel lugs and rods, typical of most modern percussion.

Organetta KONTAKT

TEAM MAGNETRiXX | 21 March 2014 | 252 MB

The Organetta is a small portable reed organ made in the late 50s by the German company Hohner*. The sound is generated by an electric fan that blows air into a set of brass reeds hence the sound is reminiscent of something in between a melodica and an accordeon. We sampled this little green friend with two mics: a large diaphragm condenser mic and a piezo attached to the chassis. The fan noise has been removed from the samples but you can choose to add it to the mix or play it alone by pressing the green keys. To add more realism we captured 6 round robin of the key down and up noises.

TapeStation KONTAKT

KRock | October 08 2012 | 162 MB

What happens when a ’90s analog synth meets an ’80s tape recorder? We sampled a famous Analogue Bass Synth to tape using a new old stock cassette, and boxed it into a Kontakt Instrument. The original synth produced fat basses and sharp leads, but now the raw tape sounds and unstable pitch add perfect elements for “tron” like sounds. Each waveform (Sawtooth, Square, Pulse 5%) was sampled chromatically from C0 to C7 and each sample is more then 6 seconds long. In the custom Performance View a Saturation and Limiter Input Gain are added to the original synth’s parameters.

Kardoni MULTiFORMAT

TEAM DECiBEL | 26 December 2014 | 630 MB

KONTAKT: 208 MB | Live 9: 207 MB | Logic: 215 MB

Kardoni captures the spirit of the original ARP Omni Mk2 in a library of programs that deliver this legend right to your desktop. As one of the most prolific and versatile “stringers” of the late 1970s, the ARP Omni has polyphonic Violin, Viola, Bass and Cello waveforms. It is split into 3 sections: Strings, Synthesizer and Bass synth – all simultaneously available. To emulate the original synthesizer, a restored ARP Omni was expertly recorded, voice by voice, and reverse engineered for Ableton Live, Kontakt and Logic. It even includes the famous chorus, phaser and hollow waveform sounds.

Outer Limits KONTAKT

DYNAMiCS | 01 January 2006 | 4.17 GB

Every patch in this fantastic collection will stimulate your creativity. The range of sounds this library is capable of is truly amazing, from shimmering pads, to mysterious drones, crystalline digital manipulations to dark distorted atmospheres, menacing mechanisms, evocative resonances, surreal sound effects, complex cascades, formant sheens, dark disturbing horror, analogue waves, amazing space textures, strange vocal synthesis and of course, sounds from the Outer Limits of space and time. Patches this complex put many other synths to shame! And of course you can layer them to create incredibly complex soundscapes.