DriveThru Cerbes v1.1.0 WiN

Team R2R | 20 November 2024 | 73.5MB

…: x64 STANDALONE, AAX, VST3 :…

Introducing DriveThru: Cerbes, a tantalizing glimpse into the forthcoming DriveThru suite. This dynamic suite will feature an array of guitar pedals seamlessly integrated into one powerful software package. From essential boosters and overdrives to robust preamps capable of replacing traditional amplifiers in your signal chain, DriveThru promises to revolutionize your sound with unparalleled versatility and convenience. Our vision with AuroraDSP DriveThru is to empower guitarists to craft truly distinctive tones using our diverse array of powerful pedals. In the full version of DriveThru, users will have the freedom to blend various pedals to create their own unique sounds, unlocking a world of sonic possibilities. Even as a standalone booster plugin, such as Cerbes, offering a single tube screamer-style overdrive, DriveThru opens doors for musicians seeking to enhance their existing plugins. We’re confident that providing access to over 30 different stompboxes will ignite creativity and breathe new life into users’ plugin collections. Imagine revitalizing a once lackluster amplifier plugin with the combination of just two overdrives from DriveThru, resulting in a completely refreshed and astonishingly rich sound. With DriveThru, the potential for sonic exploration and transformation is boundless.

Banshee Nano v1.1.0 WiN

Team R2R | 20 November 2024 | 7.3 MB

Effective Vocal Chain

Banshee Nano is the first product in our new series of vocal tools. This simple yet highly effective vocal plugin is designed to be exceptionally CPU-friendly, making it an indispensable addition to your recording studio.

Count Sampula Loops Effects

TEAM SynthX | 11 May 2003 | 419.24 MB

Approach the dark castle, a candle smouldering by a heavy door with colossal knockers (ooer ;p) Misty, musty, a faint howl. Where wolf, there wolf. The door creaks open seemingly on its own. Step inside the dusty, cob-web beset castle. You find yourself overtaken with the horror of your surroundings when in the distance; the sound of flappin wings grow closer and closer. Then, a puff of smoke, a cough or two and suddenly before you, the freaky, the dashing, the dancing’ machine DJ… Count Sampula.

MIYA v1.0.1 WiN

Team R2R | 14 September 2024 | 3.9 MB

A Completely Different Approach To Distortion

Re-synthesize your audio based on its DNA and go from slight alterations to a complete aggressive reconstruction. Using adjustable harmonics, MIYA creates a wide range of permutations of the original input, ranging from subtle textures to gnarly distortion and even massive sub-harmonics. Enhance your sounds to punch through the mix by sculpting them like a synthesizer.

DOPE COLLECTiON

GTA | 26 January 2025 | 376 MB

Get 260+ New Samples (Melodies, Drums & Vocals). 3 Exclusive Unreleased Packs Included, 100% Royalty Free.

Arpeggiator v1.3.0 WiN

BUBBiX | 26 January 2025 | 7.3 MB

BLEASS Arpeggiator takes the inspirationally melodic power of a classic synth arpeggiator and supercharges it with modern features demanded by today’s musicians. Developed in collaboration with top French producer Canblaster, BLEASS Arpeggiator’s capabilities extend far beyond the clichéd up-and-down monophonic patterns of an old-school synth arpeggiator, with polyrhythms, polyphony, and a large collection of highly configurable arpeggio patterns built in.

Layering & Filling Sounds

HiDERA | 26 January 2025 | 229 MB

Are you tired of feeling that your tracks sound a bit dull and lifeless? Don’t you wish there was a way you could make them sound … well … bigger and better? You’ve come to the right place! In this video course, production expert Thomas Cochran will show you numerous ways to convert a stale, anemic-sounding instrument to something that commands attention and turns an ear. With the sound-layering techniques you learn in this tutorial, you’ll never have to settle for a lackluster track again! These videos are designed for producers and recordists that want to increase the impact and vibe of their instrument tracks. After welcoming you to the production course, Thomas begins showing you ways to add texture and movement to sounds, lending complexity to your production without adding clutter. This is done through bit reduction, adding saturation to reverb, and layering a granular synth patch on top of a simple sine keys part. Thomas then shows how you can add depth to a track with modulation and delay effects, which is useful for filling up space without adding another instrument. Next, you’ll discover how duplicating instrument parts (melodies, chords, etc.) with another sound (or more) can greatly increase the depth and texture of an existing part. The great thing about this technique is that virtually any sound is fair play, as they will all complement the original track in a unique way.