Shift is a diatonic granular pitch shifting delay that combines an intuitive and beautiful user interface with a great sounding granular synthesis engine. Shift’s flexibility allows a palette of timbres ranging from basic echo effects, through intelligent harmonies, to exotic evolving ambient soundscapes.
Resound is a software audio delay effect processor that emulates the sound and operation of vintage magnetic-tape echo units. A controllable noise level allows the right amount of grit, distortion, and flutter through. The Reverse mode adds further flexibility: by playing each delay backwards, Resound can produce unique effects beyond what hardware magnetic-tape units are capable of.
Manifold is a harmonizer audio effect that works by splitting an input signal into as many as 20 individual voices, each of which are detuned and scattered around the stereo panorama. Manifold is capable of producing a wide range of effects; from subtle modulations that add interest to lifeless sounds, to extreme detuning that fattens the weakest of input sources.
Repro-1 dives into the past for analogue inspiration, reverently modelling a classic synth. Every detail of the original was captured using component-level modelling technology to create the most authentic model possible. All the subtle characteristics and quirks found in the original are present in Repro-1. Repro-1 is a fierce synth: hard working, raw sounding and immensely playable. At first glance Repro-1 is simple and intuitive, but the clean and classic design hides a deep feature set capable of a wide range of sounds.
A virtual analog effect inspired by classic bucket-brigade delays (bbd), but extended with modern features. We called our new baby “Colour Copy” because it can deliver the kind of colouration people still love in classic bbd units, but with a wider variety of colours. Colour Copy started life as the little delay unit called “Lyrebird” we built into Repro-1, but the sound was too good not to be developed further and become an fx plug-in.
We took a journey back to the Golden Age of magnetic tape recording. We wanted to recreate all kinds of tape machines in software, from the ground up. After many months spent on research, measurement and on developing an architecture that would be flexible enough for the job, we knew we had nailed it… But we couldn’t stop there: We added the old noise-reduction systems that were often (mis)used for timbral compression effects. Then more heads and a global feedback path, which made an uber-tape-delay and realistic ‘one-shot’ tape flanging possible. Users familiar with analogue recording gear should instantly feel at home with Satin, and digital afficionados will also learn to love the magic of tape – Satin invites you to explore and find out for yourself.
Bazille is a large modular system combining digital oscillators with analogue-style filters and modelled effects, with a flexibility that only modular patching can provide.
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